“Actual economic systems are constantly subjected to change and disturbances, which would result in irregularity.”
Source: The Mechanism of Economic Systems (1953), p. 18
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Arnold Tustin18
British engineer 1899–1994Related quotes
Harold Chestnut (1917–2001) American engineer
Source: Systems Engineering Tools, (1965), p. 111 as cited in
James Meade (1907–1995) British economist
Source: The balance of payments, 1951, p. 43; As cited in: Metaxas, Phillip Edmund, and Ernst Juerg Weber. Australia's contribution to international trade theory: The dependent economy model. (2013), p. 18
Mark Driscoll (1970) American pastor
Warnock, Adrian, Interview with Mark Driscoll http://adrianwarnock.com/2006/04/interview-with-mark-driscoll_02.htm, Adrian's Blog, April 2, 2006.
Walter F. Buckley (1922–2006) American sociologist
Source: Sociology and modern systems theory (1967), p. 56.
Lloyd Kenyon, 1st Baron Kenyon (1732–1802) British Baron
Young and others v. The King (1789), 3 T. R. 102.
“Economic life, as always, is a matrix in which result becomes cause and cause becomes result.”
John Kenneth Galbraith (1908–2006) American economist and diplomat
Source: Money: Whence It Came, Where It Went (1975), Chapter XIV, When The Money Stopped, p. 192
Cornelius Castoriadis (1922–1997) Greek-French philosopher
Source: The Imaginary Institution of Society (1975), p. 16.
Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
On Truth and Lie in an Extra-Moral Sense (1873)
Context: The drive toward the formation of metaphors is the fundamental human drive, which one cannot for a single instant dispense with in thought, for one would thereby dispense with man himself. This drive is not truly vanquished and scarcely subdued by the fact that a regular and rigid new world is constructed as its prison from its own ephemeral products, the concepts. It seeks a new realm and another channel for its activity, and it finds this in myth and in art generally. This drive continually confuses the conceptual categories and cells by bringing forward new transferences, metaphors, and metonymies. It continually manifests an ardent desire to refashion the world which presents itself to waking man, so that it will be as colorful, irregular, lacking in results and coherence, charming, and eternally new as the world of dreams. Indeed, it is only by means of the rigid and regular web of concepts that the waking man clearly sees that he is awake; and it is precisely because of this that he sometimes thinks that he must be dreaming when this web of concepts is torn by art.