“This does not mean a meteor has fallen. This is the discovery of a star.”

Vol. 2 "The Art of Literature" as translated in Essays and Aphorisms (1970), as translated by R. J. Hollingdale
Parerga and Paralipomena (1851), Counsels and Maxims
Context: Writers may be classified as meteors, planets, and fixed stars. A meteor makes a striking effect for a moment. You look up and cry “There!” and it is gone forever. Planets and wandering stars last a much longer time. They often outshine the fixed stars and are confounded by them by the inexperienced; but this only because they are near. It is not long before they must yield their place; nay, the light they give is reflected only, and the sphere of their influence is confined to their orbit — their contemporaries. Their path is one of change and movement, and with the circuit of a few years their tale is told. Fixed stars are the only ones that are constant; their position in the firmament is secure; they shine with a light of their own; their effect today is the same as it was yesterday, because, having no parallax, their appearance does not alter with a difference in our standpoint. They belong not to one system, one nation only, but to the universe. And just because they are so very far away, it is usually many years before their light is visible to the inhabitants of this earth.

Edward Cullen, p. 514
Twilight series, New Moon (2006)

"Ten Variable Stars of the Algol Type" http://books.google.com/books?id=UkdWAAAAYAAJ&pg=PA87 (1908) Annals of the Astronomical Observatory of Harvard College Vol.60. No.5
Context: The discovery of variable stars, at this Observatory and elsewhere, has progressed so rapidly during the last five years, that the difficulty of keeping pace in observing and discussing them has become very great. In the study of distribution now in progress here, the actual time devoted to the search for new variables is small, but thorough observation requires much time, while the discussion of results may be prolonged almost indefinitely. When new lists of variables are published, therefore, it should be remembered that their discovery does not interfere materially with the study of individual objects. The number of these is so large that the publication of full results for all must be greatly delayed.

Stanza 4
Ye Mariners of England http://www.poetsgraves.co.uk/Classic%20Poems/Campbell/ye%20mariners_of_england.htm (1800)

New York Times interview (1985)

As quoted in in Uncut (July 2008) http://www.uncut.co.uk/the-waterboys/the-making-of-the-waterboys-the-whole-of-the-moon-feature
Context: I recorded "…Moon" on my own with a drum machine, then brought musicians in as they were needed. It's about a person who has a spectacular, meteor-like rise, but burns out or dies young. Though the song ain't about him, the nearest equivalent would be Hendrix. Adding a list of all the things the hero/heroine saw raised the emotional temperature. The final chorus now had an extra fatefulness. To express this I inserted "you came like a comet, blazing your trail", then a "comet", a firework sample from a BBC sound effects record. That sweetly collided with Anthony's sax solo, so that it sounds as if the sax erupts from the comet itself. Magic like that just happens. … The Beatles' "Penny Lane" influenced the trumpet break — the sudden injection of super-fresh, bright and clear horns, a sound of optimism and clarity. Bowie's "Fame" inspired the final descending vocal, thought up and sung by Karl. I wanted the whole thing to sound like a carnival.

Voice of Unseen Spirits, Act IV, l. 1
Prometheus Unbound (1818–1819; publ. 1820)

Source: Inferno