“I saw my first Henry Darger collage/paintings in the early 1980’s when the tale of Henry’s life was just emerging through rumor and scattered fragments of his book. He lived and died a recluse in Chicago where no one knew of his writings or paintings. There was a folk art gallery in New Orleans that had acquired a small pile of Realms of the Unreal illustrations. I was on tour with REM at the time, Michael Stipe and I visited the gallery where we had a first look at these images of seven little horrified girls pursued by a purple and orange winged cats or evil professors on horseback or resting peacefully under giant sunflowers. I was completely captivated and intrigued.”

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Natalie Merchant62

American singer-songwriter 1963

Helen Frankenthaler (1928–2011) American artist

Quote from Abstract Expressionism, Barbara Hess, New York, Abrams, 1971, p. 29
1970s - 1980s

“When I was hired they showed me my desk, an old beat-up scarred wooden desk, and they told me that it had been O. Henry’s desk when O. Henry worked for the paper, as he had at one time. And I readily believed it. I could see the place where O. Henry had savagely stabbed the desk with his pen in pursuit of a slimy adjective just out of reach, and a kind of bashed-in-looking place where O. Henry had beaten his poor genius head on the desk in frustration over not being able to capture the noun leaping like a fawn just out of reach… So I sat down at the desk and I too began to chase those devils, the dancy nouns and come-hither adjectives, what joy.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“Return”, p. 55.
The Teachings of Don. B: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992)

“This was my first encounter with art as art [when he saw 'Pinky' ['Sarah Barrett Moulton: Pinkie'], 1794 painted by Sir Thomas Lawrence and 'The Blue Boy' painted by Thomas Gainsborough.... somebody actually MADE those paintings....(it) was the first time I realized you could be an artist.”

Robert Rauschenberg (1925–2008) American artist

Source: 1990's, Rauschenberg, Art and Live, 1990, p. 60

“My first lesson in relativity:.. we had a still life set-up to paint. Suddenly I saw that the pitcher was so big [his hands outside the shape of a pitcher, then close in] and the glass was so big. From that time on everything was all right. [Tobey is remembering his Saturday morning painting class]”

Mark Tobey (1890–1976) American abstract expressionist painter

A Tobey Profile, quoted by Belle Krasne, Art Digest, 26 Oct. 15, 1951
1950's

“He Kandinsky had always expressed a great interest in abstraction when we visited Tunisia together in 1904. The Moslem interdiction of representational painting seemed to stir his imagination and that was when I first heard him say that objects disturbed him. Between 1907 and 1910 [the period in which Kandinsky painted his first abstract compositions], he began to rely increasingly on his own theories of art, which many of his friends could understand only with great difficulty.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 117

“When the first alien spacecraft lands in Washington, I want the little green people to walk first into the National Gallery of Art. I want our art to explain who and what we are before our leaders do.”

Bran Ferren (1953) American technologist

Source: The New York Times Magazine, The Creators, 1999 https://archive.nytimes.com/www.nytimes.com/library/magazine/millennium/m4/ferren.html

“You don't like my painting, you only want to help me. If you had given me one franc for my picture I would have taken it [when M. Castaing discovered his art for the very first time and offered him in advance 100 franc to make a new painting - circa 1917 – 1919]”

Chaim Soutine (1893–1943) painter

As quoted in Soutine, Monrou Wheeler, Museum of modern art, New York, 1950; p. 37

“who'll save the poor little girl?
oh, Henry…
who'll tell the story of her?
Henry Darger”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, Motherland (2001), Henry Darger

“I think I would choose Soutine... I've always been crazy about Soutine - all of his paintings. Maybe it's the lushness of the paint. He builds up a surface that looks like a material, like a substance. There's a kind of transfiguration, a certain fleshiness in his work... I remember when I first saw the Soutine's in the Barnes Collection.... the Matisse's had a light of their own, but the Soutine's had a glow that came from within the paintings - it was another kind of light.”

Willem de Kooning (1904–1997) Dutch painter

The impact of Chaim Soutine (1893-1943): de Kooning, Pollock, Dubuffet, Bacon, publisher: Hatje Cantz, Galerie Gmurzynska, Cologne (Köln), 2001.
Answer on the question who is his favourite artist, probably made around 1977.
1990's & from posthumous publications

“I knew nothing when I first met him. He taught me to see things through his eyes. Dalí was my teacher. He let me use his brushes, his paint and his canvas, so that I could play around while he was painting for hours and hours in the same studio. Surrealism was a good school for me. Listening to Dalí talk was better than going to any art school.”

Amanda Lear (1939) singer, lyricist, composer, painter, television presenter, actress, model

http://www.3d-dali.com/centennial-magazine/e-9-muse.htm, Salvador Dali Centennial Magazine – Amanda Lear, 15 June 2004, 3d-dali.com, 15 July 2018

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