“Every place radically imbues (formally, architecturally, sociologically, politically) with its meaning the object (work creation) shown there. Art in general refuses to be implied a priori and so pretends to ignore or reject the draconian role imposed by the museum (the gallery), a role both cultural and architectural. To reveal this limit (this role), the object presented and its place of display must dialectically imply one another”

Daniel Buren (1975), in: Studio International. Vol. 189-190, (1975), p. 124
1970s

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Daniel Buren11

sculptor from France 1938

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