“As far as transience is concerned... You see the whole story in those shoes, that's why I paint them so accurate. The physical attitude; crooked legs, a lump. Those shoes were talking to me, and then I thought: I can see that you were so and so big, but did you also had a wife? Children? What were you doing? And what really mattered to me is my own place between them. Between those stories, that mystery. That pitch-black background [in Jopie's paintings, till c.1979-80] - I had found it. A cry for attention. Those pants, that shirt, that background, that was: here I am. But then it become mannerism. So I carried on realistically but avoiding the black background at all costs. It is as Rutger Kopland says: Whoever found it did not look well. Now I want to paint people like this, like they are made of colored mud. Color spiritualizes.”

— Jopie Huisman

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Wat de vergankelijkheid betreft.. .Je ziet het hele verhaal in die schoenen, daarom schilder ik ze zo scherp. De lichamelijke houding; kromme poten, een knobbel. Die schoenen praatten tegen me, en dan dacht ik: ik kan zien dat je zo en zo groot was, maar had je ook een vrouw? Kinderen? Wat deed je? En waar het me in wezen dan om ging is mijn plekkie daartussen. Tussen die verhalen, dat mysterie. Die pikzwarte achtergrond [in zijn schilderijen, tot c. 1979-80]; ik had het gevonden. Een schreeuw om aandacht. Die broek, dat hemd, die achtergrond, dat was: hier ben ik. Maar dan word je een maniërist. Dus ik ben realistisch doorgegaan, maar koste wat het kost die zwarte achtergrond vermijdend. Het is zoals nl:Rutger Kopland zegt: Wie het gevonden heeft, heeft niet goed gezocht. Nu wil ik de mensen zo schilderen, als zijn ze van gekleurde modder. De kleur die vergeestelijkt.
Mens & Gevoelens: Jopie Huisman', 1993

Adopted from Wikiquote. Last update Sept. 14, 2021. History

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Jopie Huisman 14

Dutch painter 1922–2000

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“The Jews might well, were they of such a mind (as I am, lament the disappearance of all those who painted the wooden synagogues in the small towns and villages - oh why haven't I gone to my grave with them!), and the carvers of the wooden 'school mallets' – 'quiet boy!' (and if you should see them in Ansky’s collection, you’ll get a shock!). But is there really any difference between my ancestor from Mohiliev, who painted the synagogue there, and myself, who painted the Jewish theatre in Moscow (and a good theater it is at that)?… I am convinced that, were I to stop shaving, you would see in me a deceptive likeness.”

Marc Chagall (1887–1985) French artist and painter

after 1930
Source: 'Shtrom' No. 1, 1922, Marc Chagall; as quoted in 'Chagall and the Jewish art programme', by Grigory Kasovsky
Chagall's quote is explaining his relation to the Jewish society and Jewish art history 'Bletlach' (Leaflet - essay in Yiddish)

“The Jews might well, were they of such a mind (as I am, lament the disappearance of all those who painted the wooden synagogues in the small towns and villages (oh why haven't I gone to my grave with them!), and the carvers of the wooden 'school mallets' – 'quiet boy!' (and if you should see them in Ansky's collection, you’ll get a shock!). But is there really any difference between my ancestor from Mohiliev, who painted the synagogue there, and myself, who painted the Jewish theater in Moscow (and a good theater it is at that)?… I am convinced that, were I to stop shaving, you would see in me a deceptive likeness.”

Marc Chagall (1887–1985) French artist and painter

Quote from Bletlach (Leaflet - essay in Yiddish), Marc Chagall; published in 'Shtrom' No. 1, 1922
1920's

“Gradually it dawned on me that I was painting my own inner emotions. Those children were asking: "Why are we here? What is life all about? Why is there sadness and injustice?" All those deep questions. Those children were sad because they didn't have the answers. They were searching.”

Margaret Keane (1927) American artist

1999, Cited by Amy M. Spindler
Context: Gradually it dawned on me that I was painting my own inner emotions. Those children were asking: "Why are we here? What is life all about? Why is there sadness and injustice?" All those deep questions. Those children were sad because they didn't have the answers. They were searching.

“I was encouraged to look around me and to paint what I saw. I painted my story, and it had a lot of angles to it. I was trying to explain how I saw life as a black person living in America, and I put things together that were not acceptable. A lot of people did not want these kind of paintings representing America in any sense, but I wanted to tell my story and what I saw…”

Faith Ringgold (1930) American artist

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“I often made up these stories in my mind about people I idolized or wanted to be like. I always write happy endings for them and convinced myself that life would be so much easier if I could walk in their shoes. But I never realized that in those shoes their feet were scraped and bruised like mine.”

Ashlee Marie Preston American media personality, producer, and activist

As quoted in [Man, Chella, What It’s Like to Be Trans and Live With Gender Dysphoria, https://www.teenvogue.com/story/what-its-like-to-be-trans-and-live-with-gender-dysphoria, 29 January 2019, Teen Vogue, September 21, 2018]

“Last night, I tell you, to watch that thing on television as I did. To see those, those monkeys from those African countries— damn them, they're still uncomfortable wearing shoes!”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

Source: In a phone call to Richard Nixon about a television clip which showed members of the Tanzanian delegation dancing on the UN floor, after the UN voted to recognize China and expel Taiwan. https://www.nixonlibrary.gov/white-house-tapes/013 Conversation 013-008 of the White House Tapes, 6:30, quoted in * 2019-07-30

The Atlantic note: https://www.theatlantic.com/ideas/archive/2019/07/ronald-reagans-racist-conversation-richard-nixon/595102/ and in Ronald Reagan called Africans at UN 'monkeys', tapes reveal https://www.bbc.com/news/world-us-canada-49177034, 31 July 2019, BBC note: 1970s

““A lot of people would say to me, “So Chris, you were bullied in high school and now you’re famous, so you've had a Cinderella story.” And I’d think, “What? Are you kidding?” Fame is not a solution. I’m a Cinderella story because I was in an unfortunate situation, and now I’m in a place where I get to do what I love.””

Chris Colfer (1990) actor, singer, book author

Interview Quotes, Random Quotes

“.. that one [a tree study in Gabriël's studio] is from my early times; I don't make them that way anymore; look how the thing is painted..; and those days my teachers told me that nothing would come of me in this way. What kind of folks were they? [o. a. his early and short teacher Koekoek, c. 1844-45] And which guys belonged to them? Well, let's keep mum about that; all those guys are dead already. But those days [c. 1840's] it was the ruling idea to use nature only as a tool; she had to be embellished later with imagination and so on …. imagination …. the stupidest thing in the world. (L. de Haes asked him: Do you think imagination is so improper?) Improper, I think it is simply an unhealthy trait. You see; imagination is the proper way to insanity. Imagine that you start painting from your imagination without knowing nature; after all, there will be no result whatsoever. All those people of imagination imagine so much, and it is the greatest misfortune you can have in life, you know what it is good for: to idealize your faults.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: ..da's er een [ een boom-studie] uit m'n eersten tijd; zoo doe 'k het niet meer; kijk dat ding eens geschilderd wezen; en in dien tijd zeiden mijn leermeesters dat er op die manier niets van mij terecht zou komen. Wat een lui waren dat hè [o.a. zijn tijdelijke vroege leermeester Koekoek, c. 1844-45]? En wie waren dat zoo al? Ja daar zullen we maar over zwijgen; die menschen zijn nu al dood; maar 't was toen de opvatting, de natuur alleen als hulpmiddel te gebruiken; zij moest nog verfraaid worden met verbeelding en zoo al meer .... imaginatie.... 't stomste wat er op de wereld is. (L. de Haes: Vindt u verbeelding dan zoo verwerpelijk?) Verwerpelijk, och ik vind het eenvoudig een ziekelijke eigenschap, zie je wel; verbeelding, dat is de weg naar de krankzinnigheid. Verbeeld je dat je uit je verbeelding gaat schilderen zonder de natuur te kennen; daar komt immers niets van terecht. Al die menschen van verbeelding verbeelden zich zoo veel, en 't is 't grootste ongeluk wat je op de wereld kan hebben, weet je waar 't alleen goed voor is: om je gebreken te idealiseeren.
Quote of Gabriël, 1893; as cited by L. de Haes, in 'P.J.C. Gabriël'; published in Elsevier's geïllustreerd maandschrift 3., April/May 1893, pp. 453-473
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“I can't pretend that I got involved with filming the natural world fifty years ago because I had some great banner to carry about conservation - not at all, I always had a huge pleasure in just watching the natural world and seeing what happens. - I made those films because it was a hugely enjoyable thing to do. But as I went on making them it became more and more apparent that the creatures that were giving me so much joy were under threat. The fun is in delighting in the animals but if you do that you owe them something so you have an obligation to speak out and to do what you can to protect them. m3s08-m4s05”

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