Letter to Juana Gratia (1857)
Context: Now for the other union. The first one sees God as infinitely lovable and beautiful; its aim is the contemplation of his attributes and perfections. The second union sees him as the creator, conserver, governor, redeemer, glorifier and vivifier of the whole world.
At certain moments, the spirit of the Lord will move and lead you towards this second union and you have to cooperate. He will be presented to you as the Lord, king and governor of the world, the Lord God of hosts, and wil take you to objects resembling this presence. Since the first union is not strengthened or prefected or completed except in the second, you need to start by this.
“The soul looks to God under two aspects or forms: First as the object of all its affections, or as an infinitely good and lovable being, and this imagine robs the heart; and insofar as he is good, infinitely beautiful, this is, infinitely perfect, he captures our intellectual vision, our thoughts and meditations.
In this regard, the theological virtues and their gifts cause God and the soul to become on single thing through love and purity of thoughts. While this divine union takes place primarily and mainly in the soul, all the other virtues are like aids, attendants and armies of that guard, assist and protect this work. This is the love of God for the soul and the love of the soul for God.”
Letter to Juana Gratia (1857)
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Francisco Palau 8
Beatified Spanish Discalced Carmelite friar and priest 1811–1872Related quotes
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 32.

As quoted by Sir William Osler in his introduction to The Life of Pasteur (1907) by Rene Vallery-Radot, as translated by R .L. Devonshire (1923)
Discours de réception de Louis Pasteur (1882)
Context: He who proclaims the existence of the Infinite, and none can avoid it — accumulates in that affirmation more of the supernatural than is to be found in all the miracles of all the religions; for the notion of the Infinite presents that double character that forces itself upon us and yet is incomprehensible. When this notion seizes upon our understanding we can but kneel... I see everywhere the inevitable expression of the Infinite in the world; through it the supernatural is at the bottom of every heart. The idea of God is a form of the idea of the Infinite. As long as the mystery of the infinite weighs on human thought, temples will be erected for the worship of the Infinite, whether God is called Brahma, Allah, Jehovah, or Jesus; and on the pavement of these temples, men will be seen kneeling, prostrated, annihilated by the thought of the Infinite.

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 62.

The Great Infidels (1881)
Context: In the estimation of good orthodox Christians I am a criminal, because I am trying to take from loving mothers, fathers, brothers, sisters, husbands, wives, and lovers the consolations naturally arising from a belief in an eternity of grief and pain. I want to tear, break, and scatter to the winds the God that priests erected in the fields of innocent pleasure — a God made of sticks called creeds, and of old clothes called myths. I shall endeavor to take from the coffin its horror, from the cradle its curse, and put out the fires of revenge kindled by an infinite fiend.
Is it necessary that Heaven should borrow its light from the glare of Hell?
Infinite punishment is infinite cruelty, endless injustice, immortal meanness. To worship an eternal gaoler hardens, debases, and pollutes even the vilest soul. While there is one sad and breaking heart in the universe, no good being can be perfectly happy.

"All things whatsoever the Father hath are mine."
Source: Teach Us to Pray with Cora Fillmore (1941)

Source: Uniqueness of Zakir Husain and His Contributions (1997), p. 25.

“Love beyond all telling,
Goodness beyond imagining,
Light of infinite intensity
Glows in my heart.”
The Lauds

“The universe is made of our thoughts. Our thoughts are infinite.”
Excerpt from the poem Celestial Son in the book Dark Letter Days: Collected Works (2016) by Lorin Morgan-Richards.