I Wanna Learn a Love Song
Song lyrics, Verities & Balderdash (1974)
“We were aware of her profile, and it was… first, it’s artistic: can she do it? Is she capable of handling this? Can she handle it emotionally? The song. Because it’s a very emotional song. Can she handle it melodically? Does she have the range for it? Second, now then, you’ve got that, now you look to see…because it’s a very strange duet, and I’ve always said it was meant to be a duet. I had the song in ’86, and I don’t care what anybody else says; I know it was my song, it was given to me in ’86, I was gonna do it, it was always gonna be a duet, and I think the only real life of it is a duet. And that’s my opinion, and my opinion only. That’s it. But when it’s a duet, it’s a definitive duet. And then because of how it’s a call-and-response duet, you needed the timbre of the voices. If you get someone with the same timbres… I’m being analytical, but that’s exactly why we picked Marion Raven. And then on the fourth hand… what, she’s twenty-two years old? She can get MTV where I can’t!”
On working with Marion Raven in a duet performance of "It's All Coming Back to Me Now".
A chat with Meat Loaf (2006)
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She Sings Songs Without Words
Song lyrics, Verities & Balderdash (1974)
Talking about the song "This Land is Your Land" which was his father's most famous song, and his mother's trip to China. (Live in Sydney)
The Kate Bush Story (2014)
Context: They're not "normal" songs. None of her songs have been "normal." She's just who she is, she's unique. She's — a mystery. She's the most beautiful mystery. … Let me tell you a story: when I had my civil partnership, nine years ago, in 2005, and Kate — we invited Kate, we didn't think she'd come but she came, she came with her husband Danny, and there were a lot of very famous people in that room, there were like 600 people — and all anybody wanted to meet was Kate Bush. I mean, musician, anybody — they couldn't believe Kate Bush was there. She's kind of an enigma.
“I finished your song, she said. Our last song. And I want to play it for you.”
Source: The Last Song
and she makes me see and feel things again. Nobody, not my father, not anybody, has done that for me, except movies.
As quoted in Denise Worrell (1989), Icons: Intimate Portraits.
http://interview.sweetsearch.com/2010/11/ray-charles.html
A symposium on soul, Pop Chronicles, Show 15: The Soul Reformation http://digital.library.unt.edu/explore/partners/UNTML/browse/?start=14&fq=untl_collection%3AJGPC, interview recorded 3.8.1968 http://web.archive.org/web/20100116003442/http://www.library.unt.edu/music/special-collections/john-gilliland/index-to-interviews.