
Source: Practical Pictorial Photography, 1898, The application of the foregoing principles, p. 13
of the interview
1980 - 2000, Perfection Is in the Mind', 1995
Source: Practical Pictorial Photography, 1898, The application of the foregoing principles, p. 13
Quote, c. 1921; from Lyubov' Popova, in 'Commentary on Drawings', trans. ed. James West, in Art Into Life: Russian Constructivism, 1914-1932; catalogue for exhibition Rizzoli, New York: 1990, p. 69 (Popova's original text, in the Manuscript Division, State Tretiakov Gallery, Moscow, f. 148, ed. khr. 17, 1. 4.)
Page 3 https://books.google.com/books?id=pQARAAAAIAAJ&pg=PA3.
Music: An Art and a Language (1920), Preliminary Considerations (Ch. I)
Quote of Malevich, 1927 in Artists on Art; from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 452
1921 - 1930
“Art always opts for the individual, the concrete; art is not Platonic.”
"Gauchesque Poetry" ["La poesía gauchesca"]
Discussion (1932)
Vague Thoughts On Art (1911)
Context: Art is that imaginative expression of human energy, which, through technical concretion of feeling and perception, tends to reconcile the individual with the universal, by exciting in him impersonal emotion. And the greatest Art is that which excites the greatest impersonal emotion in an hypothecated perfect human being.
“My art is the essence of my experience, not a representation of it.”
Richard Long (1982), cited in: Description of the exhibition Concentrations IX: Richard Long, March 31–July 8, 1984 at the Dallas Museum of Art http://texashistory.unt.edu/ark:/67531/metapth224905/m1/1/.
1980s
Introduction, p. 28
Electric Waves: Being Researches on the Propagation of Electric Action with Finite Velocity Through Space (1893)
Context: It is not particularly satisfactory to see equations set forth as direct results of observation and experiment, where we used to get long mathematical deductions as apparent proofs of them. Nevertheless, I believe that we cannot, without deceiving ourselves, extract much more from known facts than is asserted in the papers referred to. If we wish to lend more color to the theory, there is nothing to prevent us from supplementing all this and aiding our powers of imagination by concrete representations of the various conceptions as to the nature of electric polarisation, the electric current, etc.
Source: Representation and recognition of the spatial organization of three-dimensional shapes, 1978, p. 274