“Laws are for nothing if there is no mechanism to implement them.”

Source: A Companion to Jan Hus (2015), p. 231.

Source: The Broken Kingdoms (2011), Chapter 16 “From the Depths to the Heights” (watercolor) (p. 281)

1990s, Letter to Patrick Leahy (1999)

Source: The Mind and the Brain, 1907, p. 38

Bush, Stephen F., Active Networks and Active Network Management: A Proactive Management Framework, 2001, ISBN-13: 978-0306465604.

Lecture I. Freedom and the Rule of Law: A Historical Survey - 1. Principles and Drift in Democratic Process
1940s–1950s, The Political Ideal of the Rule of Law (1955)

The Manila Bulletin http://www.mb.com.ph/govt-monitoring-budget-too-much/
2014

Novalis (1829)
Context: When we speak of the aim and Art observable in Shakespeare's works, we must not forget that Art belongs to Nature; that it is, so to speak, self-viewing, self-imitating, self-fashioning Nature. The Art of a well-developed genius is far different from the Artfulness of the Understanding, of the merely reasoning mind. Shakspeare was no calculator, no learned thinker; he was a mighty, many-gifted soul, whose feelings and works, like products of Nature, bear the stamp of the same spirit; and in which the last and deepest of observers will still find new harmonies with the infinite structure of the Universe; concurrences with later ideas, affinities with the higher powers and senses of man. They are emblematic, have many meanings, are simple and inexhaustible, like products of Nature; and nothing more unsuitable could be said of them than that they are works of Art, in that narrow mechanical acceptation of the word.

"A Universe From Nothing" by Lawrence Krauss, AAI 2009 http://www.youtube.com/watch?v=7ImvlS8PLIo