“The Catholic writer understands the necessary relationship between truth and beauty, which is not mere social convention or cultural accident but an essential form of human knowledge--intuitive, holistic, and experiential. Art is a form of knowing--distinct and legitimate--rooted in feeling and delight--that discovers, in the words of Jacques Maritain, "The splendor of the secrets of being radiating into intelligence.”

34
Essays, Can Poetry Matter? (1991), The Catholic Writer Today (2013)

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Dana Gioia80

American writer 1950

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Context: Intuition is a distinct form of experience. Intuition is of a self-certifying character (svatassiddha). It is sufficient and complete. It is self-established (svatasiddha), self-evidencing (svāsaṃvedya), and self-luminous (svayam-prakāsa). Intuition entails pure comprehension, entire significance, complete validity. It is both truth-filled and truth-bearing Intuition is its own cause and its own explanation. It is sovereign. Intuition is a positive feeling of calm and confidence, joy and strength. Intuition is profoundly satisfying. It is peace, power and joy.

“The biblical understanding of the human person is holistic. It makes no distinction between body and soul. The human person is not a soul living in a body, but an animated body, so perfectly integrated that the person in his totality can express himself/herself and be apprehended in any part. “It is the body rooted in the cosmos and related to other human beings, which gives the person his or her identity.””

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“Unless the world is substantially altered for the worst, the logical outcome of technology's influence on art before the end of this century should be a series of art forms that manifest true intelligence, but perhaps more meaningfully, with a capacity for reciprocal relationships with human beings.”

Jack Burnham (1931) American art historian

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“Slavery is the ultimate form of being ripped from one's context, and thus from all the social relationships that make one a human being.”

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“I see in painters prose writers and poets. Rhyme, measure, and the turning of verses, which is indispensable and which gives them so much vigor, are analogous to the hidden symmetry, to the equilibrium at once wise and inspired, which governs the meeting or separation of lines and spaces, the echoes of color, etc….. but the beauty of verse does not consist of exactitude in obeying rules... It resides in a thousand secret harmonies and conventions which make up the power of poetry and which go straight to the imagination; in just the same way the happy choice of forms and the right understanding of their relationship act on the imagination in the art of painting.”

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1831 - 1863

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Мысль и красота, подобно урагану и волнам, не должны знать привычных, определенных форм.
A Letter (uncertain date, story not published by Chekhov)

“Now I wonder what our knowledge has in common with God's knowledge according to those who treat God's knowledge… Is there anything else common to both besides the mere name? …there is an essential distinction between His knowledge and ours, like the distinction between the substance of the heavens and that of the earth.”

Maimónides book The Guide for the Perplexed

Source: Guide for the Perplexed (c. 1190), Part III, Ch.20

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