
Israels in his letter to Amercian art-sellers Moulton & Ricketts, 27 June 1910; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 188
Quotes of Jozef Israels, after 1900
Quote in a letter to 'The World', London 22 Mai, 1878; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 186
1870 - 1903
Israels in his letter to Amercian art-sellers Moulton & Ricketts, 27 June 1910; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 188
Quotes of Jozef Israels, after 1900
Gallery Notes, Allbright-Knox Art Gallery, Vol. 24 summer 1961 pp. 9-14; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 197
1960s
Dr. Malcolm Long, Watchmen #6
Watchmen (1986–1987)
Context: I looked at the Rorschach blot. I tried to pretend it looked like a spreading tree, shadows pooled beneath it, but it didn’t. It looked more like a dead cat I once found, the fat, glistening grubs writhing blindly, squirming over each other, frantically tunneling away from the light. But even that is avoiding the real horror. The horror is this: In the end, it is simply a picture of empty meaningless blackness. We are alone. There is nothing else.
But the desert is filled with the spirit of non-objective feeling.. ..which penetrates everything.
In 'The Non-Objective World: The Manifesto of Suprematism', 1926; trans. Howard Dearstyne [Dover, 2003, ISBN 0-486-42974-1], 'part II: Suprematism', p. 68
1921 - 1930
Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 411
"Pyramid Song"
Lyrics, Amnesiac (2001)
"Little Black Dress"
Lyrics, The Blessed Unrest (2013)