“It's difficult. [My female protagonists] immediately become the subjects of rorikon gokko (play toy for Lolita Complex males). In a sense, if we want to depict someone who is affirmative to us, we have no choice but to make them as lovely as possible. But now, there are too many people who shamelessly depict [such protagonists] as if they just want [such girls] as pets, and things are escalating more and more.”

— Hayao Miyazaki

1988 interview with Animage, Animage, vol. 125, November 1988. Retrieved June 8, 2007.

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Hayao Miyazaki 34

Japanese animator, film director, and mangaka 1941

Madeleine L'Engle (1918–2007) American writer

The Crosswicks Journal, The Irrational Season (1977)
Context: My protagonists, male and female, are me. And so I must be able to recall exactly what it was like to be five years old, and twelve, and sixteen, and twenty-two, and.... For, after all, I am not an isolated fifty-seven years old; I am every other age I have been, one, two, three, four, five, six, seven... all the way up to and occasionally beyond my present chronology.

“We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation.”

Hayao Miyazaki (1941) Japanese animator, film director, and mangaka

Proposal for Princess Mononoke http://www.nausicaa.net/miyazaki/mh/story_proposal.txt

“I sense that many readers want nothing more complex or challenging than wind-up toys. It's dispiriting.”

Caitlín R. Kiernan (1964) writer

(3 January 2005)
Unfit for Mass Consumption (blog entries), 2005
Context: I want to build vast machines of light and darkness, intricate mechanisms within mechanisms, a progression of gears and cogs and pistons each working to its own end as well as that of the Greater Device. That's what I see in my head. But, too often, I sense that many readers want nothing more complex or challenging than wind-up toys. It's dispiriting.

“We five women were fortunate to have the choice, not just the opportunity but the choice, to play such rich, complex female characters.”

Frances McDormand (1957) American actress

Acceptance speech as "best actress" at the 69th Annual Academy Awards (24 March 1997) https://www.youtube.com/watch?v=Phno8FKSl48, for her performance in Fargo · Full text online at the Academy Awards Acceptance Speech Database http://aaspeechesdb.oscars.org/link/069-3/
Context: It is impossible to maintain one's composure in this situation. What am I doing here? — especially considering the extraordinary group of women with whom I was nominated. We five women were fortunate to have the choice, not just the opportunity but the choice, to play such rich, complex female characters. And I congratulate producers like Working Title and Polygram for allowing directors to make autonomous casting decisions based on qualifications and not just market value. And I encourage writers and directors to keep these really interesting female roles coming — and while you're at it you can throw in a few for the men as well.

“I became the protagonist of my story and the protagonist of my life. I realized we’ve all been left out of this story. We are always the supporting characters, and we have to say no. My job is to show people that everyone belongs in the theater, everyone belongs making films, everybody has something important to teach someone else. And that’s why stories are so important.”

Josefina Lopez (1969) American playwright

On making Latinos the center of the story in “Josefina López: ‘I became the protagonist of my story’” https://boyleheightsbeat.com/josefina-lopez-i-became-the-protagonist-of-my-story/ in Boyle Heights Beat (2018 Sep 19)