“I only identified with (Rothko's seriousness, which was absolutely to be admired. At that time, in the 1970's Barnett Newman, with his non-hierarchical structures, his non-relational Color Field painting, seemed more interesting because his work was less pretty.”

Source: after 2000, Doubt and belief in painting' (2003), pp. 96, note 31

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I only identified with (Rothko's seriousness, which was absolutely to be admired. At that time, in the 1970's Barnett N…" by Gerhard Richter?

Gerhard Richter96

German visual artist, born 1932 1932

Barnett Newman (1905–1970) American artist

1940 - 1950
Source: the catalogue of the 'Ideographic Picture' show, New York, 1947

“Pricasso, who has been painting with his penis for six years, said painting with his penis could be painful, but he had resorted to making his own non-toxic, washable paint.”

Pricasso (1949) Australian painter

[Daily News staff, Daily News, South Africa, Portraiture painful for penile artist, 24 August 2011, 2, Independent Online]
About

“In Braque and Gris, they seemed to have idea of the organization beforehand in their mind. With Bonnard, he is organizing in front of you. You can tell in Leger just when he discovered how to make it like an engine.... What's wrong with that? You see it in Barney (=Barnett Newman) too, that he knows what a painting should be. He paints as he thinks painting should be, which is pretty heroic..”

Franz Kline (1910–1962) American painter

1950's, Evergreen Review, 1958

“Short quote of Newman about his first 'Zip' paintings, c. 1946-1948”

Barnett Newman (1905–1970) American artist

1940 - 1950

“A structure-less painting is, to me, a painting that does not matter. Structure mirrors your degree of responsibility toward the work. You can’t just let it float around in pretty colors. It needs a kind of core. But this is an inner structure. It does correspond to being a geologist — the metaphor may be trite, but it works. Like when you see these breathtaking mountains in strange colors in eastern Greenland. As a geologist, you want to know what exactly they’re doing.”

Per Kirkeby (1938–2018) Danish artist

1995 and later, interview in Kirkeby’s home studio, Copenhagen (2012)

“Topology or relational mathematics, including non-metrical fields such as network and graph theory.”

Ludwig von Bertalanffy (1901–1972) austrian biologist and philosopher

General System Theory (1968), 4. Advances in General Systems Theory

“The kind of painting which I find exciting is not necessarily representational or non-representational, but it is musical and architectural… Whether this visual relationship is slightly more or slightly less abstract is, for me, beside the point.”

Ben Nicholson (1894–1982) British painter

"Notes on Abstract Art" in Herbert Read's Ben Nicholson: Paintings, Reliefs, Drawings (London, 1948)

“We have to live and move and have our being in ahimsa, even as Hitler does in himsa. It is the faith and perseverance and single-mindedness with which he has perfected his weapons of destruction that commands my admiration. That he uses them as a monster is immaterial for our purpose. We have to bring to bear the same single-mindedness and perseverance in evolving our ahimsa. Hitler is awake all the 24 hours of the day in perfecting his sadhana. He wins because he pays the price. His inventions surprise his enemies. But it is his single-minded devotion to his purpose that should be the object of our admiration and emulation. Although he works all his waking hours, his intellect is unclouded and unerring. Are our intellects unclouded and unerring? A mere belief in ahimsa or the charkha will not do. It should be intelligent and creative. If intellect plays a large part in the field of violence, I hold that it plays a larger part in the field of non-violence.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

June 1940 speech. (Mahatma Gandhi, The Collected Works of Mahatma Gandhi (New Delhi: Publications Division Government of India, 1999), vol. 78, p. 349. https://www.gandhiservefoundation.org/about-mahatma-gandhi/collected-works-of-mahatma-gandhi/ <br class="br">1940s

“Four years ago almost all of the applauded and selling art was New York School painting. It was preponderant in most galleries, which were uninclined to show anything new. The publications which praised it praised it indiscriminately and were uninterested in new developments. Much of the painting was by the "second generation" many of them epigones. Pollock was dead. Kline and Brooks had painted their last good paintings in 1956 and 1957. Guston's paintings had become soft and gray — his best ones are those around 1954 and 1955. Motherwell's and De Kooning's paintings were somewhat vague. None of these artists were criticized. In 1959 Newman's work was all right, and Rothko's was even better than before. Presumably, though none were shown in New York, Clyfford Still's paintings were all right. This lackadaisical situation was thought perfect. The lesser lights and some of their admirers were incongruously dogmatic : this painting was not only doing well but was the only art for the time. They thought it was a style. By now, it is.”

Donald Judd (1928–1994) artist

Donald Judd, in: Arts Yearbook. (1964) p. 23
1960s

“The so-called evils are evils only in relation to a certain thing, and that which is evil in relation to a certain existing thing, either includes the non-existence of that thing or the non-existence of some of its good conditions.”

Maimónides book The Guide for the Perplexed

Source: Guide for the Perplexed (c. 1190), Part III, Ch.10

“I only identified with (Rothko's seriousness, which was absolutely to be admired. At that time, in the 1970's Barnett Newman, with his non-hierarchical structures, his non-relational Color Field painting, seemed more interesting because his work was less pretty.”

Help us to complete the source, original and additional information

Gerhard Richter96

Related quotes

Related topics