“Raslovlev: The “protocols” written in 1897 states that the elders decreed the expulsion of all non-Jewish secret societies.
Graves: I question that! For in 1851’’’ Napoleon III, Joly’s enemy, banned and imprisoned 26,000 members of secret societies in France…46 years before the “Protocols!””

— Will Eisner

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.75

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Will Eisner 87

American cartoonist 1917–2005

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“International Jews.
In violent opposition to all this sphere of Jewish effort rise the schemes of the International Jews. The adherents of this sinister confederacy are mostly men reared up among the unhappy populations of countries where Jews are persecuted on account of their race. Most, if not all, of them have forsaken the faith of their forefathers, and divorced from their minds all spiritual hopes of the next world. This movement among the Jews is not new. From the days of Spartacus-Weishaupt to those of Karl Marx, and down to Trotsky (Russia) Bela Kun (Hungary), Rosa Luxemborg (Germany) and Emma Goldman (United States), this world-wide conspiracy for the overthrow of civilization and for the reconstitution of society on the basis of arrested development, of envious malevolence, and impossible equality, has been steadily growing. It played, as a modern writer, Mrs. Webster, has so ably shown, a definitely recognizable part in the tragedy of the French Revolution. It has been the mainspring of every subversive movement during the Nineteenth Century; and now at last this band of extraordinary personalities from the underworld of the great cities of Europe and America have gripped the Russian people by the hair of their heads and have become practically the undisputed masters of that enormous empire.
Graves: This was written by Winston Churchill, a highly regarded M. P. in England…so, I need hardly remind you that it will take strong evidence to prove the “Protocols” ‘’’a fake!’’’
Raslovlev: At an old bookshop I got a copy of “The Dialogue in Hell between Machiavelli and Montesquieu,” by Maurice Joly, 1864.
I examined what I had. It was obvious that the “Protocols of Zion” was copied from it.
Graves: How did you get this?
Raslovlev: I bought this book from a friend, formerly of the Okhrana, our secret agents in France. They ordered the plagiarism!
When the Bolsheviks came in, we left with what we could take out with us.
How much is it worth to you, or your paper, Mr. Graves?
Graves: Hmm…can’t say yet! …Is Geneva really the place of publication??
Raslovlev: I do know that the “Protocols of Zion: was intended to prove to the Tsar that the Revolt in Russia was a Jewish Plot…it was written by an Okhrana agent…a plagiarist, Mathieu Golovinski!
When it was first published in Russia round 1902, its publisher, Dr. Nilus, claimed it to be notes stolen from an 1897 Zionist congress by French agents!
Graves: But that congress was convened by Theodore Herzl to promote a Jewish state. It was not a secret meeting…Dr. Nilus’s claim is a lie!
Raslovlev: Yes, it is indeed! Let me show you…we will compare the “Protocols” with Joly’s Book.
Raslovlev: Set them side by side Graves, and you will see obvious plagiarism of Joly’s “dialogue!”
Graves: I see…be patient while I go through it…yes! Yes! Yes!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 70-73

“Graves: When copying the “Dialogues”…why would the :Protocols” alter “coups d'etat: to “revolution”?
Raslovlev: Obviously it was to address the Tsar’s concern over a Russian revolution, eh?”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.80

“In 1848, driven by a revolution in Paris, King Louis Philippe abdicated and Louis Napoleon (a nephew of Napoleon Bonaparte) was elected president of France. Four years later, after a coup d’etat, Louis Napoleon styled himself Napoleon II, emperor of France.
napoleon III’s first act as emperor was to imprison his political opponents. He was a crafty monarch, and his ambition during his reign was to seek glory through military adventurism while the great mass of French peasants remained ina state of poverty and despair.
Initially, Napoleon III achieved a short-lived public popularity by trying to “modernize” France and liberalize its economy, but his legacy remains that of a dictator and conniving politician.
In 1870, fearful that Germany was expanding too fast, Napoleon III declared war against this neighbor. The French were quickly defeated, and Napoleon III became a prisoner of war. Upon release in 1871, he was exiled to England, where he lived until his death in 1873.
Maurice Joly was mindful of this growing tension between Germany and France. He had been born in 1821 of French parents. He was admitted to the Paris bar as an attorney and was a one-time member of the General Assembly. Joly devoted most of time to writing caustic essays on French politics. He joined many other severe critics of Napoleon III, who regarded him as a ruthless despot.
In 1864, Joly wrote a book called “The Dialogue in Hell between Machiavelli and Montesquieu.”…It intended to liken Napoleon III to the infamous Machiavelli, author of “The Prince,” a treatise on the acquisition of power. Holy intended to reveal the French dictator’s dark and evil plans.”

Will Eisner (1917–2005) American cartoonist

Will Eisner, pp. 7-8
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

“Hitler: To what extend the whole existence of his [Jewish] people is based on a continuous lie is shown incomparably by THE PROTOCOLS OF THE ELDERS OF ZION.”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 94-98

“This patchwork of largely fictional works makes the Protocols an incoherent text that easily reveals its fabricated origins. It is hardly credible, if not in a roman feuilleton or in a grand opera, that the “bad guys” should express their evil plans in such a frank and unashamed manner, that they should declare, as the Elders of Zion do, that they have “boundless ambition, a ravenous greed, a merciless desire for revenge and an intended hatred.” If at first the Protocols was taken seriously, it is because it was presented as a shocking revelation, and by sources all in all trustworthy. But what seems incredible is how this fake arose from its own ashes each time someone proved that it was, beyond all doubt, a fake. This is when the “novel of the Protocols” truly starts to sound like fiction. Following the article that appeared in 1921 in the Times of London revealing that the Protocols was plagiarized, as well as every other time some authoritative source confirmed the spurious nature of the Protocols, there was someone else who published it again claiming its authenticity. And the story continues unabated on the Internet today. It is as if, after Copernicus, Galileo, and Kepler, one were to continue publishing textbooks claiming that the sun travels around the earth.
How can one explain resilience against all evidence, and the perverse appeal that this book continues to exercise? The answer can be found in the works of Nesta Webster, an antisemetic author who spent her life supporting this account of the Jewish plot. In her Secret Societies and Subversive Movements, she seems well informed and knows the whole story as Eisner narrates it here, but this is her conclusion:
The only opinion I have committed myself is that, whether genuine or not, the Protocols represent the programme of a world revolution, and that in view of their prophetic nature and of their extraordinary resemblance to the protocols of certain secret societies of the past, they were either the work of some such society or of someone profoundly versed in the lore of secret society who was able to reproduce their ideas and phraseology.
Her reasoning is flawless: “since the Protocols say what I said in my story, they confirm it,” or: “the Protocols confirm the story that I derived from them, and are therefore authentic.” Better still: “the Protocols could be fake, but they say exactly what the Jews think, and must therefore be considered authentic.””

Will Eisner (1917–2005) American cartoonist

In other words, it is not the Protocols that produce antisemetism, it is people’s profound need to single out an Enemy that leads them to believe in the Protocols.
I believe that-in spite of this courageous, not comic but tragic book by Will Eisner- the story is hardly over. Yet is is a story very much worth telling, for one must fight the Big Lie and the hatred it spawns.
Umberto Eco, Milan Italy December 2004 translated by Allesandra Bastagli, p. vi-vii
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

“Graves: Now…why would the elders of Zion in their protocols of world domination devote so much time to the ‘’’mundane’’’ details of financial management??”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.86

“My use of extracts from the "Protocols of the Elders of Zion" was too much for political purity to take. It didn't matter that I had emphasised, as I do in this book, that this is not a plot by Jewish people; it didn't matter that I renamed them the "Illuminati Protocols" for the specific reason of getting away from their association with Jewish people; it didn't matter that these Protocols, which came to light in the late-1800s, contain details of the very plan of manipulation which has provably unfolded through the twentieth century.”

David Icke (1952) English writer and public speaker

ibid. p. 453

“Research desk: In 1992, a Mexican edition of the “Protocols"’’’ was listed in a few Catholic schools as required reading!
And that same year in Turkey, a newspaper carried a 40-page insert that linked Freemasonry to Jewish world power headed by 70 elders!
Again in 1992 a Russian edition of the “Protocols of Zion” appeared.
Well, that’s the whole story, sir.

Graphic novelist: Thank you! But this is only one element of the whole story!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.119

“At last we have an unquestionable disclosure that erases any claim to legitimacy of the “protocols of the Elders of Zion”!”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)
Context: Audience member: At last we have an unquestionable disclosure that erases any claim to legitimacy of the “protocols of the Elders of Zion”!

“Graves: An obvious adaptation! Where the “Dialogue” uses ‘’’prince’’’, the “Protocols” uses ‘’’king.’’’”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.88

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