“The space of time in which a great work can now be accomplished is not marvellous. Brain, muscle, materials, and the means of rapid transport are instantly at command. If one has capital and a well-considered plan, the thing does itself. But that which is wonderful and which I can scarcely believe, although I have been in the midst of it, is the noble, artistic result which has come from the work of American artists who have had only a few months' time to prepare those very designs for the great buildings of the Exposition which have actually been executed with little change from the sketches which were presented in February, 1891.”

— Daniel Burnham

Burnham (1891) attributed in: Charles Moore (1921) Daniel H. Burnham, architect, planner of cities http://openlibrary.org/books/OL7205061M/Daniel_H._Burnham_architect_planner_of_cities. p. 72-73

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Daniel Burnham 2

American architect and urban designer 1846–1912

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“It is normal that I have done something significant and so have other artists. I have taken my work in such a way that it has been a success. But that is not the only thing which matters you see…it's the work which matters.”

S. H. Raza (1922–2016) Indian artist

Indian contemporary artists have not reached my standard: SH Raza

“I don't believe in Jewish art. There are Jewish artists, which means, artists who are born Jewish, but that does not mean that their work is Jewish art. (translation from Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in Dutch (citaat van Israëls, in het Nederlands): Ik geloof niet in joodse kunst. Er zijn joodse kunstenaars, d.w.z. kunstenaars die joods geboren zijn, maar dat wil nog niet zeggen dat hun werk joodse kunst is.
Quote of Jozef Israëls, 9 July 1907, translated from his letter (written in German) to the committee of the Exhibition for Jewish Art in Berlin; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 55
Jozef Israëls was Jewish himself, but refused to call his art Jewish as the Zionist movement liked to call it
Quotes of Jozef Israels, after 1900

“Must an artist live in the world or out of it? I believe this to be an unanswerable question. Total retirement, natural to the Saint, is injurious to most artists. They work marvelously so long as there are materials at hand. Goethe has further advice: "Solitude is a wonderful thing when one is at peace with oneself and when there is a definite task to be accomplished."”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Working

“The history of an era is finished with that era itself and with those of its representatives who have expressed it. It is not the task of modern times to add anything to the expression of former times to ennoble or embellish the past. What has been, has been. The human spirit must always begin work afresh in the present, starting off from acquired results. One must never start out from foregone conclusions proceeding from synthesis to synthesis, from conclusion to conclusion. The real artists are those who pick up their age exactly at the point to which it has been carried by preceding times.”

Gustave Courbet (1819–1877) French painter

1860s, Realist Manifesto' - an open letter, 1861

“The only thing one can give an artist is leisure in which to work. To give an artist leisure is actually to take part in his creation.”

Ezra Pound (1885–1972) American Imagist poet and critic

“I follow the works of Iranian artists even now, sometimes in Paris or in New York and I am happy Iranian artists are still great. Whether they are men or women, they have always been great. Despite all the pressure and censorship inside the country, they haven't been able to stop the creativity of our artists. Some have to work underground, like in cinema, and sometimes their work has political messages, but the number of our artists now has definitely grown in comparison to the past.”

Farah Pahlavi (1938) Empress of Iran

Former queen of Iran on assembling Tehran's art collection http://www.guardian.co.uk/world/2012/aug/01/queen-iran-art-collection, The Guardian, (August 1, 2012).
Interviews

“We had some problems with the Howard newspaper strip, which led to problems with the Howard book, which ultimately led to the lawsuit. Marvel wouldn't pay the artist to draw it. Gene Colan and I were supposed to get a percentage of the syndicate's take for the strip. The problem was, the money came in 90 days, 120 days, six months — I don't remember how long exactly — after the strips were published. So, essentially, the artist was working for nothing up until that time, and no artist can afford to do that. [In comparison with Stan Lee and 's Spider-Man comic strip, ] Stan, as publisher of Marvel, had a regular salary coming in, and John Romita, I believe, was also on staff at the time. They didn't have quite the same problem.”

Steve Gerber (1947–2008) Comic writer

Comic Book Artist #7 (reprinted in Comic Book Artist Collection Volume 3 (TwoMorrows Publishing, 2005)): "Steve Gerber's Crazy Days", p. 66

“We must take note of the fact that the artist nowadays is occupied with painting flags, posters, pots and pans textiles and things like that. What is referred to as 'artistic work' has on the vast majority of occasions nothing whatever to do with creative effort: and the term 'artistic work' is used in order to demonstrate the 'sacredness' of the work which the artist does at his easel. The conception of 'artistic work' presupposes a distinction between useful and useless work and as there are only a few artists buyers can be found even for their useless products. The artist's work lies beyond the boundaries of the useful and the useless.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1915 - 1925, Suprematism' in World Reconstruction (1920)

“I think to be an artist it means a certain sensitivity, because I believe in evolution. I believe the more sensitive you are the more you draw from this One Mind; which is part of the whole, part of everything. I think we all have that ability to be tuned in, but I think great artists are just more tuned in. One who's expressing God to the fullest, that's an artist.”

Peggy Moran (1918–2002) actress

Interview with Monster Kid Magazine

“I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.”

Walt Whitman (1819–1892) American poet, essayist and journalist

"Talk to an Art-Union (A Brooklyn fragment)" http://www.aol.bartleby.com/229/4011.html (1839); later delivered as a lecture at the Brooklyn Art Union (31 March 1851) and printed in the Brooklyn Daily Advertizer (3 April 1851)
Context: It is a beautiful truth that all men contain something of the artist in them. And perhaps it is the case that the greatest artists live and die, the world and themselves alike ignorant what they possess. Who would not mourn that an ample palace, of surpassingly graceful architecture, fill’d with luxuries, and embellish’d with fine pictures and sculpture, should stand cold and still and vacant, and never be known or enjoy’d by its owner? Would such a fact as this cause your sadness? Then be sad. For there is a palace, to which the courts of the most sumptuous kings are but a frivolous patch, and, though it is always waiting for them, not one of its owners ever enters there with any genuine sense of its grandeur and glory.
I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty.

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Daniel Burnham 2

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