“When I began to write as a very young person in a rigidly racist and inhibited colonial society, I felt, as many others did, that I existed marginally on the edge of the world of ideas, of imagination and beauty. These, taking shape in poetry and fiction, drama, painting and sculpture, were exclusive to that distant realm known as 'overseas.”

Speech at the Nobel Banquet (1991)

Adopted from Wikiquote. Last update June 3, 2021. History

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Nadine Gordimer57

South african Nobel-winning writer 1923–2014

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“I am working again on my painting 'Moscow' ['Moscow I' ('Mockba I'), 1916]. It is slowly taking shape in my imagination. And what was in the realm of wishing is now assuming real forms. What I have been lacking with this idea was depth and richness of sound, very earnest, complex, and easy at the same time.”

Wassily Kandinsky (1866–1944) Russian painter

Quote in his letter to Gabriele Münter, September 4, 1916; as cited in Hans K. Rothel and Jean K. Benjamin, Kandinsky: Catalogue Raisonné of the Oil Paintings, Volume Two, 1916–1944; Cornell University Press, Ithaca, N.Y, 1984, p. 580
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“Painting and sculpture are very archaic forms. It's the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe. It's a very archaic form. Same things can be said with words, writing poetry, making sounds, music. It is a unique thing.... I think that the original revolutionary impulse behind the New York School, as I felt it anyway, and as I think my colleagues felt and the way we talked all the time, was a kind of a.... you felt as if you were driven into a corner against the wall, with no place to stand, just the place you occupied as if the act of painting was not making a picture.... it was as if you had to prove to yourself that truly the act of creation was still possible.... I felt as if I was talking to myself, having a dialectical monologue with myself to see if I could create.”

Phillip Guston (1913–1980) American artist

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“I never imagined so many people would be enjoying it this much. I wrote this book essentially as a group of fictional characters exploring ideas that I found personally intriguing.”

Dan Brown (1964) American author

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“In 1949, I ceased figurative painting and began works that were object oriented. The drawings from plant life seem to be a bridge to the way of seeing that brought about the paintings in 1949 that are the basis for all my later work. After arriving in Paris in 1948, I realized that figurative painting and also abstract painting (though my knowledge of the latter was very limited) as I had known in the 20th century no longer interested me as a solution to my own problems. I wanted to give up easel painting which I felt was too personal.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

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“I want to take poetry to walk other genres. I want poetry to walk through other genres. When I started writing, this was my main concern: get out of poetry. Let poetry walk the streets of New York. Make her cosmopolitan. See the world. Not in these estrofas, not in these stanzas, which are camisas de fuerza. I have to get out of poetry. I have to do what James Joyce did to the novel: he took the novel out of the novel…”

Giannina Braschi (1953) Puerto Rican writer

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Toni Morrison (1931–2019) American writer

“I was seized with a strong desire to write poetry, so strong, in fact, that in imagination I thought I heard a voice crying in my ears –"Write! Write"I wondered what could be the matter with me, and I began to walk backwards and forwards in a great fit of excitement, saying to myself– "I know nothing about poetry."”

William McGonagall (1825–1902) weaver, actor, poet

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“Now in the past, in your distant past, when I spoke through others, or portions of my entity did so, then such personal connections also existed with those through whom we communicated.”

Jane Roberts (1929–1984) American Writer

Session 463, Page 241
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 9

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