“(Laura Gemser) was a very quiet woman, très réservé, but not in a snobbish way. She was very, very lovely. I worked together with her again, on Aristide Massaccesi's RITORNO DALLA MORTE, a Frankenstein movie made in 1992. She worked as a costume designer. This was another instance where I said something wrong: I told her how terrible it was that Tinti was dead, him being such a nice man…She had to rush out of the room because she was overwhelmed by her feelings for Gabriele.”

Euro Trash Cinema magazine interview (March 1996)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "(Laura Gemser) was a very quiet woman, très réservé, but not in a snobbish way. She was very, very lovely. I worked tog…" by Donald O'Brien (actor)?
Donald O'Brien (actor) photo
Donald O'Brien (actor) 35
Italian film and TV actor 1930–2003

Related quotes

Jair Bolsonaro photo

“She doesn't deserve it [to be raped] because she's very bad, because she's very ugly. She's not my type, I'd never rape her. I'm not a rapist, but if I was, I wouldn't rape her because she doesn't deserve it.”

Jair Bolsonaro (1955) Brazilian president elect

In an interview with Zero Hora newspaper https://gauchazh.clicrbs.com.br/politica/noticia/2014/12/bolsonaro-diz-que-nao-teme-processos-e-faz-nova-ofensa-nao-merece-ser-estuprada-porque-e-muito-feia-cjkf8rj3x00cc01pi3kz6nu2e.html on 10 December 2014, about federal deputy Maria do Rosário. Brazil presidential candidate Bolsonaro's most controversial quotes https://www.yahoo.com/news/brazil-presidential-candidate-bolsonaros-most-controversial-quotes-012652084.html. Yahoo!, 29 September 2018.

Georges Bernanos photo

“She isn't very clever or very devout,… and she certainly empties the whole salt cellar into the stories she tells me. But I love her because she never lies.”

Georges Bernanos (1888–1948) French writer

Chantal speaking of the cook, Madame Fernande, p. 119
La joie (Joy) 1929

Thomas Hardy photo
Louise Bourgeois photo

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Louise Bourgeois (1911–2010) American and French sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007:

Rachel Whiteread photo

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Rachel Whiteread (1963) British sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007: on Louise Bourgeois

Roger Waters photo
Lady Gaga photo
Rekha photo
Halle Berry photo

“I love Halle. She's so sweet. I connected with her immediately and, even though we only worked together for a few days, it was the best connection I've ever had with an actress. She made me feel like I could trust her.”

Halle Berry (1966) American actress

Penelope Cruz, on working with Berry in Gothika — reported in Los Angeles Daily News staff (November 20, 2003) "American Gothika; Halle Berry overcomes her career fear to take first marquee role in horror film", The Guelph Mercury, p. F12.
About

Roman Polanski photo

Related topics