“A few weeks ago I read, in Sacheverell Sitwell, two impressives sentences: “It is my belief that I have informed myself of nearly all works of art in the known world…. I have heard most of the music of the world, and seen nearly all the paintings.” It was hard for me to believe these sentences, but I wanted Sitwell to be able to say them, liked him for having said them—I believed.”

“The Collected Poems of Wallace Stevens”, p. 71
The Third Book of Criticism (1969)

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Randall Jarrell215

poet, critic, novelist, essayist 1914–1965

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“I want to take this opportunity to express my appreciation for the hundreds of thousands of messages, nearly eight hundred thousand in all, which my children and I have received over the past few weeks. The knowledge of the affection in which my husband was held by all of you has sustained me and the warmth of these tributes is something I shall never forget. Whenever I can bear to, I read them. All his bright light’s gone from the world. All of you who have written to me know how much we all loved him and that he returned that love in full measure.”

Jacqueline Kennedy Onassis (1929–1994) public figure, First Lady to 35th U.S. President John F. Kennedy

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“I was forced and pushed into the kind of painting that I did [during the late 1940's / early 1950's]. That is to say, the demands in this dialogue with myself – I give to it, I make some marks, it speaks to me, I speak to it, we have terrible arguments going on all night, weeks and weeks – do I really believe that? I make a mark, a few strokes, I argue with myself, not do I like or not, but is it true or not? Is that what I mean, is that what I want?”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, p. 67

“The world to me is a dream and the people in it are sleepers. I have known a few instances of intensity but that is all. I want to find a world in which these instances are united.”

Katherine Mansfield (1888–1923) New Zealand author

Letter to S. S. Koteliansky, as quoted in "Always my thoughts & feelings go back to New Zealand" by Vincent O'Sullivan, in NZ Listener Vol 214 No 3556, (July 5-11 2008) http://www.nzlistener.co.nz/issue/3556/features/11387/printable/always_my_thoughts_feelings_go_back_to_new_zealand.html;jsessionid=7E38C804BAA963EB74F59C8EA61F048B <br class="br">Context: The world to me is a dream and the people in it are sleepers. I have known a few instances of intensity but that is all. I want to find a world in which these instances are united. Shall I succeed? I scarcely care. What is important is to try & learn to live, and in relation to everything – not isolated. This isolation is death to me.

“It is human nature to want to exchange ideas, and I believe that, at bottom, every artist wants no more than to tell the world what he has to say. I have sometimes heard painters say that they paint 'for themselves': but I think they would soon have painted their fill if they lived on a desert island.”

M. C. Escher (1898–1972) Dutch graphic artist

1950's, On Being a Graphic Artist', 1953
Context: It is human nature to want to exchange ideas, and I believe that, at bottom, every artist wants no more than to tell the world what he has to say. I have sometimes heard painters say that they paint 'for themselves': but I think they would soon have painted their fill if they lived on a desert island. The primary purpose of all art forms, whether it's music, literature, or the visual arts, is to say something to the outside world; in other words, to make a personal thought, a striking idea, an inner emotion perceptible to other people’s senses in such a way that there is no uncertainty about the maker's intentions.

“I have heard that tomorrow they are to execute the two prisoners, the accomplices of him who shot me. For my part, I most willingly pardon them.”

William the Silent (1533–1584) stadtholder of Holland, Zeeland and Utrecht, leader of the Dutch Revolt

Asking that two assassins who had tried to kill him be spared torture, as quoted in William the Silent, Frederic Harrison p. 109
Context: I have heard that tomorrow they are to execute the two prisoners, the accomplices of him who shot me. For my part, I most willingly pardon them. If they are thought deserving of a signal and severe penalty, I beg the magistrates not to put them to torture, but to give them a speedy death, if they have merited this. Good-night!

“I shall in future be obliged to resign myself to exhibiting them (her paintings) merely at the Grand Salon, Paris, of which I happen to be an Associate and the Salon de Tuileries known all over the world as the representative exhibition of Modern Art, and to which I have been invited to participate in the past, a distinction I may add that few can boast of.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

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Sikh Heritage,Amrita Shergil

“All my life I have been a 'have-not.' At home I was a 'have-not.' I regard myself as belonging to them and have always fought exclusively for them. I defended them and, therefore, I stand before the world as their representative.”

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“So if I succeed in my effort at suicide tonight then this will sure be the last I’ll ever say or write on this earth. The choice is mine and I fully realize just what I am doing. I would like to have it known just why I do this. I had no choice about coming into this world and nearly all of my 38 years in it I have had very little to say or do about how I should live my life. People have driven me into doing everything I have ever done. Now the time has come when I refuse to be driven any further. Tonight I die and tomorrow I go to the grave farther than that no man can drive me I am sure glad to leave this lousy world and the lousier people that live in it. But of all the lousy people in this world I believe that I am the lousiest of them all. Today I am dirty but tomorrow I’ll be just DIRT.”

Carl Panzram (1891–1930) American serial killer

sic
From a letter to Henry Lesser, Leavenworth, Kansas, June 20, 1930, Lustmord: The Writings and Artifacts of Murderers, pgs. 208-9, (1997), Brian King, ed. ISBN 096503240X

“My dear Hoschedé, I do not know if in Paris it is the same weather as here, it is probable and so you will be able to understand my discouragement. I am heartbroken, and I absolutely must share with you all my disillusionment; for nearly two months, I have given myself a lot of trouble without result. You do not believe it perhaps, but it is so: I have not lost an hour and would have reproached myself to have taken even a day to come see our exhibition, just out of the fear of losing a single good painting session, an hour of sun. I alone can know my anxieties and the trouble that I give myself to finish canvases that don't even satisfy me and please so few people. In a word, I am absolutely discouraged, not seeing, not hoping in any future... I feel all too well the void that is being made around me and the impossibility of facing up to my part of our expenses if we were to continue living together... I see everything in black, in pain... Please believe all the sorrow that I have in causing you trouble.”

Claude Monet (1840–1926) French impressionist painter

In a letter to Ernest Hoschedé, May 15, 1879 (W, letter, 158); as cited in: Mary M. Gedo (2013) Psychoanalytic Perspectives on Art. p. 123
1870 - 1890

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