“(Referring to the music of Anton Bruckner) "Nightmarish hangover style" (traumverwirrten Katzenjammerstil)”

—  Eduard Hanslick

From Norman Lebrecht, The Book of Musical Anecdotes (1985, Sphere Books)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "(Referring to the music of Anton Bruckner) "Nightmarish hangover style" (traumverwirrten Katzenjammerstil)" by Eduard Hanslick?
Eduard Hanslick photo
Eduard Hanslick7
austrian musician and musicologist 1825–1904

Related quotes

“It is typical of Schumann's musical thinking to construct this complex network of references outside his music-to quote Beethoven, and then to have Beethoven's distant beloved refer to Clara. But this should give a clue to the nature of Schumann's achievement. It is not Schumann's music that, refers to Clara but Beethoven's melody, the "secret tone."”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 2 : Fragments

Miles Davis photo

“For me, music and life are all about style.”

Miles Davis (1926–1991) American jazz musician

Miles, the Autobiography (1989) (co-written with Quincy Troupe, p. 398.)
1980s

Jesper Kyd photo

“Remember that the style of music that is popular right now might not be popular by the time you have learned to master that music style. So always stay true to yourself and the kind of music you enjoy listening to and working on.”

Jesper Kyd (1972) musician

citation needed

M. Balamuralikrishna photo

“Style. It varies from person to person. Without it music will be monotonous.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Chitra Swaminathan "He defines ‘style’ as tradition".

Andrew Sega photo

“It's hard to quantify a 'top ten' list of songs for many reasons. I like many styles of music, and it's difficult to compare radically divergent types of music with each other.”

Andrew Sega (1975) musician from America

Static Line interview, 1998

“Objective' analysis is a tool, primarily useful for suggesting or confirming putative relationships between different musical styles….'Critical' analysis results not in a statistical measurement of style or proof of relationship but rather, ideally, in a formal model for a relatively independent and artistically controllable style within a culture, and should then be viable for accounting for individual manifestations of that style…”

Harold Powers (1928–2007) American academic

Daniel Levitin photo

“Contour refers to the pattern of musical pitch in a melody—the sequence of ups or downs that the melody takes—regardless of the size of the interval.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

George Gershwin photo

“Jazz I regard as an American folk music; not the only one, but a very powerful one which is probably in the blood and feeling of the American people more than any other style of folk music.”

George Gershwin (1898–1937) American composer and pianist

"The Relation of Jazz to American Music", in Henry Cowell (ed.) American Composers on American Music (1933); reprinted in Gregory R. Suriano (ed.) Gershwin in His Time (New York: Gramercy, 1998) p. 97.

Akira Ifukube photo

“The Ainu, with their improvisational style of both composing music and dancing, greatly influenced me. I became very different from the other music students, who had been raised with European pieces, because of this. They had been taught that composition is very difficult, but to me, it seemed relatively easy because of the freedom allowed for by the improvisational style of the Ainu.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

John Dankworth photo

“It is not governed by the senseless world of current style that pervades and pollutes popular music, nor is it part of an established hierarchy, so that it is cloistered and protected.”

John Dankworth (1927–2010) British musician

Of jazz. Jazz in Revolution (1998).

Related topics