
Epitaph on Quinn. Murphy’s Life of Garrick. Vol. ii. p. 38.
Natura il fece, e poi roppe la stampa.
Canto X, stanza 84 (tr. W. S. Rose)
Variant translation: Nature made him, and then broke the mould.
Compare: "I think Nature hath lost the mould / Where she her shape did take; / Or else I doubt if Nature could / So fair a creature make." A Praise of his Lady, in Tottel's Miscellany (1557). Henry Howard, Earl of Surrey wrote similar lines, in A Praise of his Love (before 1547). Compare also: "Sighing that Nature formed but one such man, / And broke the die—in moulding Sheridan." Lord Byron, Monody on the Death of the Rt. Hon. R. B. Sheridan, line 117. As reported in Hoyt's New Cyclopedia of Practical Quotations (1922).
Orlando Furioso (1532)
Natura il fece, e poi ruppe la stampa.
Orlando furioso
Variant: Natura il fece, e poi roppe la stampa.
Epitaph on Quinn. Murphy’s Life of Garrick. Vol. ii. p. 38.
Naipaul is sui generis.
Lee Kuan Yew's comment when he received him as Vice President of India, the first Muslim Chief Justice of India in Singapore in 1981
Source: Sunanda K. Datta-Ray Looking East to Look West: Lee Kuan Yew's Mission India http://books.google.co.in/books?id=DFo1yl5AGokC&pg=PA230&lpg=PA230, Institute of Southeast Asian Studies, 2009, p. 230.
“5003. Tho' all Men were made of one Metal, yet they were not cast all in the same Mould.”
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)
No. 225.
The Tatler (1711–1714)
Context: The cast of mind which is natural to a discreet man, make him look forward into futurity, and consider what will be his condition millions of ages hence, as well as what it is at present. He knows that the misery or happiness which are reserved for him in another world, lose nothing of their reality by being placed at so great a distance from him. The objects do not appear little to him because they are remote. He considers that those pleasures and pains which lie hid in eternity, approach nearer to him every moment, and will be present with him in their full weight and measure, as much as those pains and pleasures which he feels at this very instant. For this reason he is careful to secure to himself that which is the proper happiness of his nature, and the ultimate design of his being. He carries his thoughts to the end of every action, and considers the most distant as well as the most immediate effects of it. He supersedes every little prospect of gain and advantage which offers itself here, if he does not find it consistent with his views of an hereafter. In a word, his hopes are full of immortality, his schemes are large and glorious, and his conduct suitable to one who knows his true interest, and how to pursue it by proper methods.
Vikram Sampath - Savarkar, Echoes from a Forgotten Past