“No one remembers the singer. The song remains.”
Terry Pratchett book The Last Hero
Source: The Last Hero
The Thrush in February, st. 17 (1888).
“No one remembers the singer. The song remains.”
Terry Pratchett book The Last Hero
Source: The Last Hero
“As a dancer he stands alone, and no singer knows his way around a song like Fred Astaire.”
Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter
Irving Berlin, quoted in Puttin' on the Ritz, BBC Programme Acquisition, 1999.
“The song of the wind singer will set you free.”
William Nicholson (1948) British screenwriter, playwright and novelist
Source: The "Wind on Fire" Trilogy (2000-2003), The Wind Singer (Book 1), p. 77
“Who's ever heard of a singer criticized by his song?”
Four-Word Letter, Pt 2.
Catch For Us The Foxes (2004)
Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter
Oscar Levant in Levant, Oscar. The Memoirs of an Amnesiac. New York: Putnam, 1965. (M).
“The sun and its light, the ocean and the wave, the singer and his song — not one. Not two.”
Anthony de Mello (1931–1987) Indian writer
Identity
One Minute Wisdom (1989)
“There is delight in singing, though none hear
Beside the singer.”
Walter Savage Landor (1775–1864) British writer
To Robert Browning (1846).
“He that sings a lasting song
Thinks in a marrow-bone.”
W.B. Yeats (1865–1939) Irish poet and playwright
A Prayer For Old Age http://poetry.poetryx.com/poems/1423/, st. 1. <br class="br">A Full Moon in March (1935) <br class="br">Context: God guard me from those thoughts men think<br>In the mind alone;<br>He that sings a lasting song<br>Thinks in a marrow-bone.
“There's a category for me. I like to be referred to as a good singer of good songs in good taste.”
Sarah Vaughan (1924–1990) American jazz singer
Interview, The Hollywood Reporter, 1974
Sam Hinton (1917–2009) folk singer, artist, marine biologist
As a performing artist, he will pride himself on timing and other techniques designed to keep the audience in his control [...] his respect for genuine folklore reminds him that these changes, and these techniques, may give the audience a false picture of folk music.
"The Singer of Folk Songs and His Conscience", Western Folklore 14:3, (July 1955), p. 170–173