“I had a really great time doing it. I haven’t seen the whole movie together with all the special effects, but even without the special effects I was like, "This is rad!" I loved it. I just was with the characters more. I don’t know, somehow I connected with the story better.”

— Milla Jovovich

About working on the film Resident Evil: Extinction, in comparison to Resident Evil 2
Interview 2

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Milla Jovovich 8

Ukrainian-born american model and actress 1975

Stephen Kosslyn (1948) American psychologist

Source: Better PowerPoint (R), 2010, p. 24

“Don’t fuss. I love you just as you are, Mercy. I don’t need to swallow you whole, I don’t need to be in your head at all times. I just need to know that you’re there.”

Patricia Briggs book Frost Burned

Source: Frost Burned

“I live with them for a long time in my head. When I first start writing about a character, I don’t know them that well. It’s through the process of writing of putting them in scenes, and contemplating them—when I’ve spent more time with them—that they take on more flesh. When I start writing, I have a lot of characters that I’m not sure what their place in the novel will be…And some characters recede as I put more flesh on them. I think I don’t really need them; they’re not giving me anything. Or they’re there for a particular effect, and that’s it.”

Tracy Chevalier (1962) American writer

On how she formulates her characters in “An Interview with Tracy Chevalier” https://fictionwritersreview.com/interview/an-interview-with-tracy-chevalier/ in Fiction Writers Review (2019 Sep 23)

“I’d never heard of Ernest Hemingway, but when I read his stories I realised there was something special about this simple style, but I couldn’t understand how he got the effect. I realised there was something underneath it, and that’s how the whole thing started to unfold for me.”

Barry Hines (1939–2016) British author

Barry Hines 1970 interview

“A special effect without a story is a pretty boring thing.”

George Lucas (1944) American film producer

Star Wars to Jedi: The Making of a Saga (1983) https://www.youtube.com/watch?v=ykmZp5cgbkU
Context: One of the fatal mistakes that almost every science-fiction film makes is that they spend so much time on the settings — you know, creating the environment — that they spend film time on it. And you don't have to spend too much film time to create an environment. What they're doing is showing off the amount of work that they generated, and it slows the pace of the film down. And the story is not the settings. The story is the stories, plot. You're always surprised with characters, I mean in film it's even more dramatic than it is in writing, because eventually you actually take a real person and stick them into that character. And that real person brings with him, or her, an enormous package of reality. I mean, Threepio is just a hunk of plastic, and without Tony Daniels in there it just isn't anything at all. In the first film we had maybe 20 colors to paint with, and this time we've had 40 colors to paint with. Well, that doesn't mean it's going to be a better painting. Special effects are just a tool, a means of telling a story. People have a tendency to confuse them as an end to themselves. A special effect without a story is a pretty boring thing.