“We were tired of writing music that sounded like everybody else, and we were stuck in this rut for so long of just trying to emulate our favorite bands. We're just going to write stuff that feels good, sounds good. And if other people don't like it, oh well. Then we remembered Bert from just playing shows with his band. So we gave him a call and he happened to not be in any bands. The timing was like perfect.”

— Bert McCracken

Branden Steineckert, former drummer for The Used, on recruiting McCracken to the band, reported in Alan Sculley (July 4, 2003) "Getting used to reality", The Columbian, p. F9.
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Bert McCracken27

American musician 1982

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“As long as there are girls, we need guy bands. However, in this day, it is not good enough to just sing great. You have to write, sing and play. We want it all.”

Ashlee Simpson (1984) American singer, actress, dancer

Quoted in: Billboard. Vol. 117, nr. 37 (10 September 2005), p. 64

“If people want to call us emo, that’s totally cool. We started out as a pop punk band, because we were very much interested in giving the band a sound like Green Day or The Descendents, but I think we’ve turned into a rock band. Some of our lyrics are definitely emotional, but some Zeppelin lyrics are pretty emotional, too. You could call them an emo band as well.”

Joe Trohman (1984) American musician

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“Roger: No, not anyone in the band. No, not really. We don't get that. There was one time where we played a show and we were playing at Sunlight Convention Center or something and they just had no idea what they were doing security wise. Kids were dancing and stuff and kicking stuff on the stage and this security guy had no idea on what to do so he just pushes this kid right off the stage and he just falls and breaks his leg in like a second! There's been some stories like that. Faulty employees, I called it. (laughs) You have no idea what to expect. Sometimes we'll play a college show and we'll just show up and start doing our thing and security's like stop, no moshing, no crowd surfing, no circle pits or whatever. Well, why did you have us play here? Don't you know that's what we do? Haven't you ever heard of us before? That's what we do! We get people excited, get them running around! They're going to jump around! That's what we're trying to do!! (laughs) Get some energy flowing between us.”

Roger Manganelli (1973) American musician

“People here are always asking me, "Can you play 'Lips Like Sugar' on an acoustic guitar?" And I'm like, "No!" It was an OK song, I suppose, but it didn't sound like us. We just got sucked into a new mentality on that last album, the sound of Radio America. It did great here, but by then I just thought we weren't good enough any more. It was pretty happening, the States was building and building but it didn't feel good on stage. We weren't really communicating as mates and stuff. I mean, I was used to believing that we were the best group going.”

Ian McCulloch (1959) singer, musician

Describing what American's always ask him.
Q magazine (1992)

“Roger: Umm.. I couldn't tell you! I don't really know what the secret is. I've never been in any other situation. For us, we just really try to really deliver when we play and make that the focal point of what's going on. And then there's the live show. We try to be really good to our fans in the way of musically by having things up. Fans that have been fans of our records will always have something to relate and not have a record that is completely different ever, but also not doing the same thing over and over and over again. Trying to have a steady change on what kind of music we're writing and stuff like that. I think touring is the key to it. We've always been a touring based band. We play a lot, a lot of shows and that's what keeps us fresh in peoples' minds.”

Roger Manganelli (1973) American musician

“If [music] has that tag on it, regardless if it sounds like that or not they’ll never go and find out what it really sounds like. To be labeled “emo” is sometimes very apropos, because there are a bunch of bands that actually sound like carbon copies of each other. But again, that’s music, so.”

Joe Trohman (1984) American musician

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“When we started, there were KRAFTWERK and TANGERINE DREAM, and both bands also became very very strong internationally but in a different area, in a different field. They were doing, like, experimental kind of music, and KRAFTWERK were amazing, while we played just traditional rock.”

Klaus Meine (1948) German singer

“I programmed all the drums and synths, while he played all the guitars. The initial plan was just to demo his songs because he was out of his UA deal, so we pumped it to people like Island and Virgin and they loved it. It was signed to Island, but Simon Draper of Virgin heard it and called me to talk about their band, the Human League. They'd done demos of The Sound of the Crowd and Love Action in a Sheffield studio, but Simon didn't think they were getting the punch they needed. He loved the drums on Homosapien and asked me to do a track. So the band turned up at Genetic with their multi-track for The Sound of the Crowd. Simon had conned them and told them that I'd mix it! I said, 'We're going to start again and do it better'. There were a few grumbles, but by the time we'd finished, they were really pleased.”

Martin Rushent (1948–2011) English record producer

Perrone, Pierre, Martin Rushent: Synth-pop pioneer and innovative producer of the Human League, the Stranglers and Buzzcocks, 2011, http://www.independent.co.uk/news/obituaries/martin-rushent-synthpop-pioneer-and-innovative-producer-of-the-human-league-the-stranglers-and-buzzcocks-2294842.html, The Independent, 11 June 2011

“Morning View is I think collectively probably our favorite record that we have made as a band because it was the most effortless… um… in its conception… you know? It was a lot less slaving over parts and trying to just get together in this big beautiful room with a view of the ocean and parts and sounds and melodies and lyrics would just happen… they would just sort of spill out of us without us really trying… so to me that's sort of the most amazing way to write music or do any kind of art, which is by letting it happen… but one of the most important parts in any sort of.. uh… journey so to speak.. Is uh… the ride… and we've had a really good time riding to where ever it is we are going… and I don't even think any of us know particularly where it is going to take us… But it's been really fun sort of chasing it.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Discussing Morning View on Boogie TV interview was done the day of their concert at Vega, Copenhagen

“We wanted to start a magazine, and Allison Wolfe and Molly Neuman from the band Bratmobile had started a little fanzine called Riot Grrrl and we were writing little things for it. I'd always wanted to start a big magazine with really cool, smart writing in it, and I wanted to see if the other punk girls in D. C. that I was meeting were interested in that. So I called a meeting and found a space for it, and it just turned into this sort of consciousness-raising thing. I realized really quickly that a magazine wasn't the way to go. People wanted to be having shows, and teaching each other how to play music, and writing fanzines, so that started happening. It got some press attention, and girls in other places would be like "I wanna do that. I wanna start one of those."”

Kathleen Hanna (1968) American musician and feminist activist

Index Magazine (2000).
On riot grrrl

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