Jerry Coyne (1949) American biologist
" Do both science and faith produce truth? http://whyevolutionistrue.wordpress.com/2012/08/11/do-both-science-and-faith-produce-truth/" August 11, 2012
The Conspiracy Against the Human Race: A Contrivance of Horror (2010)
Jerry Coyne (1949) American biologist
" Do both science and faith produce truth? http://whyevolutionistrue.wordpress.com/2012/08/11/do-both-science-and-faith-produce-truth/" August 11, 2012
Theresa May (1956) Prime Minister of the United Kingdom
Speech as Home Secretary on the UK and European Union https://www.gov.uk/government/speeches/home-secretarys-speech-on-the-uk-eu-and-our-place-in-the-world (25 April 2016)
Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist
Source: The Benefactor (1963), Ch. 1, p. 1, Farrar, Straus and Giroux ISBN 0-312-42012-9
Richard Epstein (1943) American legal scholar
https://www.newyorker.com/news/q-and-a/the-contrarian-coronavirus-theory-that-informed-the-trump-administration
Nathaniel Branden (1930–2014) Canadian–American psychotherapist and writer
As reprinted in Ayn Rand, The Virtue of Selfishness (1964; 2014 ebook), ISBN 978-1-101-13722-2, p. 44 https://books.google.com/books?id=d1GqjIhRejMC&pg=PT44. <br class="br">"Mental Health versus Mysticism and Self-Sacrifice" (1963)
Richard Dawkins (1941) English ethologist, evolutionary biologist and author
An Interview by Sheena McDonald (1995)
Margaret Thatcher (1925–2013) British stateswoman and politician
Interview for Press Association (3 May 1989) http://www.margaretthatcher.org/document/107427 <br class="br">Third term as Prime Minister
Claude Debussy (1862–1918) French composer
As quoted in Debussy (1989) by Paul Holmes, p. 36
Context: Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express. For this, I need a text by a poet who, resorting to discreet suggestion rather than full statement, will enable me to graft my dream upon his dream — who will give me plain human beings in a setting belonging to no particular period or country. … Then I do not wish my music to drown the words, nor to delay the course of the action. I want no purely musical developments which are not called for inevitably by the text. In opera there is always too much singing. Music should be as swift and mobile as the words themselves.