“The poem, a harmonious flow of nuances, demands a musical rhythm, Vers libre.”
F. S. Flint (1885–1960) English Imagist poet
Contemporary French Poetry, The Poetry Review, 1914
Dial (January 1917).
“The poem, a harmonious flow of nuances, demands a musical rhythm, Vers libre.”
F. S. Flint (1885–1960) English Imagist poet
Contemporary French Poetry, The Poetry Review, 1914
John Livingston Lowes (1867–1945) American academic
Conventions and Revolt in Poetry (1919)
“Truly fine poetry must be read aloud.”
Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature
"The Divine Comedy" (1977)
Context: Truly fine poetry must be read aloud. A good poem does not allow itself to be read in a low voice or silently. If we can read it silently, it is not a valid poem: a poem demands pronunciation. Poetry always remembers that it was an oral art before it was a written art. It remembers that it was first song.
Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism
Preface
1850s, For Self-Examination (1851)
Nathan Lane (1956) American actor
Susan Stroman, on the casting of Lane in The Producers — reported in Iris Fanger (April 13, 2001) "'Stro' is once again at center stage", Christian Science Monitor, p. 20.
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