“Now that to me is lovely music. Really, that type of thing really moves me. This, of course, is Bill Evans, Scott LaFaro, and Paul Motian…. Even Scott's playing on this particular album should disprove all the "naughty" things people said about him, about his being too active, getting in people's way; because the one thing about Scotty, with all his technique, was that he had a perceptivity, which let him use it judiciously. He started this record by playing on the first beat of every bar. He wasn't even playing in two, and any man who has that much technique, who knows where to limit himself, to me, is just great. And of course Bill plays lovely on the thing. That's another five-star.”

— Clare Fischer

Reviewing a "live recording https://www.youtube.com/watch?v=g-jsW61e_-w of the Bill Evans Trio performing "My Foolish Heart," from the album Waltz for Debby; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe by Leonard Feather, in Downbeat (October 25, 1962), p. 39

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Now that to me is lovely music. Really, that type of thing really moves me. This, of course, is Bill Evans, Scott LaFar…" by Clare Fischer?

Clare Fischer48

American keyboardist, composer, arranger, and bandleader 1928–2012

Related quotes

“Into the Music was about the first album where I felt, 'I'm starting here'… the Wavelength thing, I didn't really feel that was me.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

As quoted in Can You Feel the Silence? Van Morrison: A New Biography (2003) by Clinton Heylin

“United always had many amazing players, but whenever we faced them we were always, always, always scared of what Paul Scholes could do. Ask anyone from that old Arsenal team, they will tell you the same. If you let him play, he can kill you, and for me he was so underrated. The way he plays: one touch, arriving late into the box, the way he strikes the ball, his vision, his passing. Incredible. I know people used to give him some stick for his tackling, but I liked that. He put his foot in, showed some character, had a go, but I liked that about him too. For me he is one of the best midfielders I have ever seen.”

Paul Scholes (1974) English footballer

http://www.arsenal.com/news/news-archive/henry-i-was-scared-of-incredible-scholes
Thierry Henry

“It was because of this guy I had gone out with and had been really, really close with. I really loved him. I felt that he was my best friend. But he was a teenaged guy, and they don't think a lot of times. He mistreated me and then he came back. I couldn't even be friends with him for awhile. I cared about him, but it was just a situation where he kept trying to be friends with me, but I knew that he just wanted to be friends with me so he could have the option of making a move on me whenever he wanted to. And because I was so infatuated with him, and even in love with him, I was always available for that. It made me feel weak every time I would fall for that. And I would look forward to him making a move on me, but I knew that it was wrong. I knew that he was playing with me. And after awhile, I didn't even care anymore because I wanted him so much.”

Fiona Apple (1977) singer-songwriter, musician

On Shadowboxer from Tidal,
from Nuvo, "Fiona Apple: The NUVO Interview" April [1997]

“John is very sweet. He always mentions me in all his interviews; saying that he’s really fond of me. He says that he thinks of me as one of his favourite actors- its very nice. I’ve seen John’s growth from his first film to Baabul and beyond. I think he’s grown as an actor and of course he has become one of the most sought after stars today. I see girl fans who’re crazy about him. I feel good about that and I always believe that good people get good things in life - John is one of them Rani quotes.”

Rani Mukerji (1978) Indian film actress

http://ranimukherji.proboards.com/index.cgi?board=interviews&action=display&thread=407.
Rani On Celebrities

“Now," said Halt, "all I have to do is work out a way of beating these horse-riding devils."
Erak grinned at him. "That should be child's play," he said. "The hard part will be convincing Ragnak about it.”

John Flanagan (1873–1938) Irish-American hammer thrower

Source: The Battle for Skandia

“…What people miss about (Marilyn) Manson is that he is just reflecting, he's an artist, people want to focus that energy on him, but it's not really him, it's really about you. So for every guy sitting there with a beer and a.45 in his belt, Manson is just speaking to that end of society. He's speaking as an artist. He's not speaking as himself, and that's where people get really lost with Manson.”

Billy Corgan (1967) American musician, songwriter, producer, and author

Corgan, William. Interview. 1998 Pre-Grammy Show. MTV. 25 February 1998.

“I really don't know what to say about this without sounding hypercritical. First of all, the style of playing is so tremendously behind the beat, it gets to the point that I feel he's in opposition to his rhythm section, and I can't get a nice swing out of the thing. The pianist is tremendously heavy-handed, which I think gets in the way of what he's trying to do, so I feel that in some spots he's stumbling, instead of having the feeling that the man is executing what he wants to play. The whole thing strikes me as a sort of comme-ci-comme-ca performance of a like tune. Two stars.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing Dodo Marmarosa's recording of "Mellow Mood," https://www.youtube.com/watch?v=xieUt3PqGJ0 from the album Dodo's Back!; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe

“I suppose he had the good luck to be executed, no? I had an hour's chat with him in Buenos Aires. He struck me as a kind of play actor, no? Living up to a certain role. I mean, being a professional Andalusian… But in the case of Lorca, it was very strange because I lived in Andalusia and the Andalusians aren't a bit like that. His were stage Andalusians. Maybe he thought that in Buenos Aires he had to live up to that character, but in Andalusia, people are not like that. In fact, if you are in Andalusia, if you are talking to a man of letters and you speak to him about bullfights, he'll say, 'Oh well, that sort of this pleases people, I suppose, but really the torero works in no danger whatsoever. Because they are bored by these things, because every writer is bored by the local color in his own country. Well, when I met Lorca, he was being a professional Andalusian… Besides, Lorca wanted to astonish us. He said to me that he was very troubled about a very important figure in the contemporary world. A character in whom he could see all the tragedy of American life. And then he went on in this way until I asked him who was this character and it turned out this character was Mickey Mouse. I suppose he was trying to be clever. And I thought, 'That's the kind of thing you say when you are very, very young and you want to astonish somebody.' But after all, he was a grown man, he had no need, he could have talked in a different way. But when he started in about Mickey Mouse being a symbol of America, there was a friend of mine there and he looked at me and I looked at him and we both walked away because we were too old for that kind of game, no? Even at that time.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Richard Burgin, Conversation with Jorge Luis Borges, pages 92-93.
Conversations with Jorge Luis Borges (1968)

“I liked him [Rubinstein] as a pianist. He was a good musician and had a fantastic repertoire. He never had a great technique, but certain things he played well. I heard him play some of the Chopin etudes, the easier ones with great panache and I told him I had never heard them played better. He said, "Do you mean it?"”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

and I said, "Yes, I do mean it."
Vladimir Horowitz, quoted in Harold C. Schonberg, Horowitz: his life and music (1992)
About

“Until I was 25, 1 had one tooth missing. When George Ogilvie cast me, he asked me about it, and I told him the story and that I thought it was very false of me to go and get a tooth cap. He was very nice about it, listened to it all, and said, "All right, well, let me put it this way, Russell. You're playing the lead character in my film, right? The character of Johnny has two front teeth….'”

Russell Crowe (1964) New Zealand-born Australian actor, film producer and musician

GQ Interview (2005)

Help us to complete the source, original and additional information

Clare Fischer48

Related quotes

Related topics