“My etchings have.... the mistake of being processed as images and to have at the same time the meaning of epigrams. It is the union of pure painting with pure graphics... From now onwards my task will be the division of art and graphics, and the full development of both fields. The pure art has already turned to impressionism and the graphics is going to do it.”

Quote in a letter to his wife, 12 June, 1906; as cited in Paul Klee. Das Frühwerk 1883-1922, p. 50.
1903 - 1910

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "My etchings have.... the mistake of being processed as images and to have at the same time the meaning of epigrams. It …" by Paul Klee?

Paul Klee104

German Swiss painter 1879–1940

Related quotes

“And now, at the end of the twentieth century, with the pressure of modern information and the advances of data processing, graphics is passing through a new and fundamental stage. The great difference between the graphic representation of yesterday, which was poorly dissociated from the figurative image, and the graphics of tomorrow, is the disappearance of the congential fixity of the image.
When one can superimpose, juxtapose, transpose, and permute graphic images in ways that lead to groupings and classings, the graphic image passes from the dead image, the 'illustration,' to the living image, the widely accessible research instrument it is now becoming. The graphic is no longer only the 'representation' of a final simplification, it is a point of departure for the discovery of these simplifications and the means for their justification. The graphic has become, by its manageability, an instrument for information processing.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 4

“Dualism is particularly important in both my paintings and my graphics.”

Emil Nolde (1867–1956) German artist

from: Years of Struggle 1902-14' Autobiography Berlin 1934
1921 - 1956

“To analyse graphic representation precisely, it is helpful to distinguish it from musical, verbal and mathematical notations, all of which are perceived in a linear or temporal sequence. The graphic image also differs from figurative representation essentially polysemic, and from the animated image, governed by the laws of cinematographic time. Within the boundaries of graphics fall the fields of networks, diagrams and maps. The domain of graphic imagery ranges from the depiction of atomic structures to the representation of galaxies and extends into the spheres of topography and cartography.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 2

“It is common to think of statistical graphics and data visualization as relatively modern developments in statistics. In fact, the graphic representation of quantitative information has deep roots. These roots reach into the histories of the earliest map-making and visual depiction, and later into thematic cartography, statistics and statistical graphics, medicine, and other fields. Along the way, developments in technologies (printing, reproduction) mathematical theory and practice, and empirical observation and recording, enabled the wider use of graphics and new advances in form and content.”

Michael Friendly (1945) American psychologist

Michael Friendly. " A brief history of data visualization http://www.datavis.ca/papers/hbook.pdf at datavis.ca, March 21, 2006.

“Jacques Bertin's books Semiology of Graphics and Graphics and Graphic Information Processing have been stimuli for my own thinking about the representation and analysis of geographic information. I have also used both books as core readings for graduate seminars and they have generated lively discussion and prompted innovative research. I often ask graduate students to consider how cartographic research and practice in the U. S. might be different today if the English edition of Semiology of Graphics had appeared in 1967 (when it was published in French), rather than in 1983. I know that my own work would have been dramatically different if I had encountered these ideas a decade and a half sooner.”

Alan MacEachren (1952) American geographer

Alan MacEachren (2000) " An evolving cognitive-semiotic approach to geographic visualization and knowledge construction http://www.geovista.psu.edu/storage/alan/amm_InfoDesign.pdf"

“My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual, speaking purely through colour... And now I leave these small – but to me – important works to the future and to the people who love art.”

Alexej von Jawlensky (1864–1941) Russian painter

from: 'Lebenserinnerungen', 1938 - after 1937 Jawlensky couldn't paint any longer because of severe arthritis
Source: 1936 - 1941, Life Memories' (1938), p. 249

“I have received a commission to make a poster against war. That is a task that makes me happy. Some may say a thousand times that this is not pure art…. but as long as I can work, I want to be effective with my art.”

Käthe Kollwitz (1867–1945) German artist

Letters of Friendship and Acquaintance [Briefe der Freundschaft und Begegnungen] (1966), edited by Hans Kollwitz, p. 95; cited in Käthe Kollwitz: Woman and Artist (1976) by Martha Kearns, p. 172.
Other Quotes

“I've no objection to the term 'graphic novel,' as long as what it is talking about is actually some sort of graphic work that could conceivably be described as a novel. My main objection to the term is that usually it means a collection of six issues of Spider-Man, or something that does not have the structure or any of the qualities of a novel, but is perhaps roughly the same size.”

Alan Moore (1953) English writer primarily known for his work in comic books

Interview with Locus Magazine http://www.locusmag.com/2003/Issue07/Moore.html (2003)

“Either build functional houses and bridges or create pure art or both. Don't confuse one with the other. Such art is not pure constructive art, but merely an imitation of the machine.”

Naum Gabo (1890–1977) Russian sculptor

quote, 1919; as cited in: Ruth Latta (1948) Naum Gabo. Museum of Modern Art (New York, N.Y.), p. 18
Here Gabo publicly criticized Tatlin's design for the 'Monument to the Third International' (1919)
1918 - 1935

“V has come to be my last Metal Gear.
It has been an honor and a joy to have been given the opportunity to work on Metal Gear for nearly twenty amazing years.
Tоday's computer graphics, technology, and hardware—compared to those of twenty years ago—have evolved so significantly. As a result, the art that can be created has dramatically changed.
However, the process of conceptualizing and creating a character by understanding their personality, their habits, their backstory, and the role they play—this has fundamentally remained the same. Refining ideas and doing countless sketches over and over are tasks that at times feel formidable and complex. At the same time, they are very fun and gratifying.”

Yoji Shinkawa (1971) Japanese illustrator

Foreword to The Art of Metal Gear Solid V, Dark Horse Comics, 2016, p. 7 https://books.google.it/books?id=BerxDAAAQBAJ&pg=PA7.

Help us to complete the source, original and additional information

Paul Klee104

Related quotes

Related topics