
[on foreign food]
Live At The Top Of The Tower [2000]
Remarking on who would win in a fight, in a pair-up between her character Xena and Buffy from Buffy the Vampire Slayer — reported in San Antonio Express-News staff (May 16, 2000) San Antonio Express-News, "'Dirty Dancing' sequel set", p. 4D.
[on foreign food]
Live At The Top Of The Tower [2000]
“Angel of Death ain't kissing me! I'm full of garlic!”
The 2,000 Year Old Man (and sequels)
“Stories are the single most powerful weapon in a leader's arsenal.”
Howard Gardner, cited in: Richard L. Daft (2014), The Leadership Experience, p. 273
1980s, First term of office (1981–1985), First Inaugural address (1981)
Context: Above all, we must realize that no arsenal or no weapon in the arsenals of the world is so formidable as the will and moral courage of free men and women. It is a weapon our adversaries in today's world do not have. It is a weapon that we as Americans do have. Let that be understood by those who practice terrorism and prey upon their neighbors.
Source: I Am Legend (1954), Ch. 2
Context: They were strange, the facts about them: their staying inside by day, their avoidance of garlic, their death by stake, their reputed fear of crosses, their supposed dread of mirrors.
Take that last, now. According to legend, they were invisible in mirrors, but he knew that was untrue. As untrue as the belief that they transformed themselves into bats. That was a superstition that logic, plus observation had easily disposed of. ‘It was equally foolish to believe that they could transform themselves into wolves. Without a doubt there were vampire dogs; he had seen and heard them outside his house at night. But they were only dogs.
“If words can be lethal weapons, I must provide them with an arsenal.”
Source: Xenocide
Source: The Historian (2005), Ch. 5
Context: In the Year of Our Lord 1456 Drakula did many terrible and curious things. When he was appointed Lord in Wallachia, he had all the young boys burned who came to his land to learn the language, four hundred of them. He had a large family impaled and many of his people buried naked up to the navel and shot at. Some he had roasted and then flayed.
There was a footnote, too, at the bottom of the first page. The typeface of the note was so fine that I almost missed it. Looking more closely, I realized it was a commentary on the word impaled. Vlad Tepes, it claimed, had learned this form of torture from the Ottomans. Impalement of the sort he practiced involved the penetration of the body with a sharpened wooden stake, usually through the anus or genitals upward, so that the stake sometimes emerged through the mouth and sometimes through the head.
I tried for a minute not to see these words; then I tried for several minutes to forget them, with the book shut.
The thing that most haunted me that day, however, as I closed my notebook and put my coat on to go home, was not my ghostly image of Dracula, or the description of impalement, but the fact that these things had — apparently — actually occurred. If I listened too closely, I thought, I would hear the screams of the boys, of the “large family” dying together. For all his attention to my historical education, my father had neglected to tell me this: history’s terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth. And once you’ve seen that truth — really seen it — you can’t look away.
Lyrics, A Crow Left of the Murder... (2004)