“The ground breaking production of the company, and the point at which the cross-cultural casting began to bite, was Brecht’s anti-war play Mother Courage. Just one comment in a review by critic Malcolm Hay jolted us into the realisation that we were making history: Why is an Indian actor playing the Pastor?”

The South African Interview (August 8, 2011)

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South African actress and founder of Internationalist Thea…

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“During the nine years that Calcutta was my home, I lived a life which would now be seen as thoroughly politically incorrect. From our youngest days, we were never allowed to forget that we were different - we were English, not Indian. We had an English nanny who saw to that. She supervised us 24x7 and once, finding me learning to count from our driver, she cuffed my head, saying "that's the servants' language, not yours". Inevitably, we were not allowed to play with Indian children. There were even class barriers to the European children we were allowed to play with. My nanny would not allow us to play with children who only had Indian or Anglo-Indian nannies because their parents couldn't afford a "proper nanny", as she saw herself. European society in the Calcutta of those days was divided by a strict class system, not dissimilar to the caste system. Members of the ICS, were considered the Brahmins (the elite caste), while the members of the Indian army were regarded as the Rajputs (the warrior caste). As a businessman, my father was a Vaisya (trading caste), dismissed by the snooty ICS and army as a mere "boxwallah".”

Mark Tully (1935) British journalist

Why Mark Tully needs a Calcutta birth certificate at 78, 2013

“The breaking of casting cliches also broke boundaries. A short, Latin-looking actress like me playing classical roles such as Miss Julie, and playing them well, made casting directors uncomfortable. It was unheard of that a short, dark-haired actress of Greek temperament could play the aristocratic Miss Julie. Not beautiful or tall enough etc. It proved one of the best productions of Miss Julie ever seen in London.”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

On the formation of Internationalist Theatre.
The South African Interview (August 8, 2011)

“Writing for TV was a huge influence on this book, partly because you realize in casting what a vast gap there was between who people are and who they play. You sometimes see Shakespearan trained actors playing janitors. And at the same time, I’ve seen actresses who are really well known for playing wealthy, super cultured women come in and they are well, let’s just say the exact opposite.”

Veronica Chambers (1970) writer

On how writing for television influenced her novel The Go-Between in “Author Interview: Veronica Chambers questions Mexican immigrant stereotypes in ‘The Go-Between’” https://www.hypable.com/author-interview-veronica-chambers-the-go-between/ in Hypable (2017 May 9)

“It is not worth to play a production almost so well as it had been played once. It is worth to play such kind of it, which had not been played ever and that production will be played by you the best.”

Róbert Puzsér (1974) hungarian publicist

Quotes from him, Csillag születik (talent show between 2011-2012)

“I’ve never, ever, in my entire life, been upset at a casting choice. I started taping my dad’s auditions when I was 11, when he was auditioning actors for one of his movies. I would see, over and over again, that there wasn’t just one actor for the role. It was really clear that there were a lot of people who could play a character really well, and it would always come down to something kind of weird and non-obvious as to why a person was cast. If you’re not right, you’re not right, but that’s okay.”

Bryce Dallas Howard (1981) American actress

Bryce Dallas Howard https://www.interviewmagazine.com/film/bryce-dallas-howard (February 10, 2017)

“But many other Indians are cast in that mould, Indians in their basic culture though their high culture is western.”

Mohammad Hidayatullah (1905–1992) 11th Chief Justice of India

Naipaul is sui generis. <br class="br">Lee Kuan Yew's comment when he received him as Vice President of India, the first Muslim Chief Justice of India in Singapore in 1981 <br class="br">Source: Sunanda K. Datta-Ray Looking East to Look West: Lee Kuan Yew's Mission India http://books.google.co.in/books?id=DFo1yl5AGokC&pg=PA230&lpg=PA230, Institute of Southeast Asian Studies, 2009, p. 230.

“I wonder if time-traveling cultures are playing with us. I wonder if they process our history for entertainment values.”

Algis Budrys book Michaelmas

Source: Michaelmas (1977), Chapter 6 (pp. 62-63)

“But war's a game, which, were their subjects wise,
Kings would not play at.”

William Cowper The Task

Source: The Task (1785), Book V, The Winter Morning Walk, Line 187.

“In a real war no one knew which side he was on, and there were no flags or commentators or winners. In a real war there were no enemies.”

J. G. Ballard book Empire of the Sun

Source: Empire of the Sun (1984), p. 6
Context: Real war was the thousands of Chinese refugees dying of cholera in the sealed stockades at Pootung, and the bloody heads of Communist soldiers mounted on pikes along the Bund. In a real war no one knew which side he was on, and there were no flags or commentators or winners. In a real war there were no enemies.

“The History of Religions is destined to play an important role in contemporary cultural life.”

Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

The Quest: History and Meaning in Religion (1969), p. 3.
Context: The History of Religions is destined to play an important role in contemporary cultural life. This is not only because an understanding of exotic and archaic religions will significantly assist in a cultural dialogue with the representatives of such religions. It is more especially because … the history of religions will inevitably attain to a deeper knowledge of man. It is on the basis of such knowledge that a new humanism, on a world-wide scale, could develop.

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