“The special effects are more sophisticated. The materials and techniques used to construct the monster costumes and miniature sets have improved, and we now use computer graphics. However, the earlier Godzilla films are much more profound. I think the reason for this is the fact that the people who worked on them experienced World War II firsthand. Shinichi Sekizawa served in the South Pacific, and Mr. Honda was a prisoner of war in China for quite some time. The earlier films also are more detailed. For example, there are more reaction shots in them. The expressions on people's faces are shown more often, and the effects of the monsters' actions are shown more often. On the other hand, the newer movies are more contemporary in that they address current issues such as bio-technology and environmental destruction. The earlier films didn't do that as much.”

— Kenpachiro Satsuma

As quoted by David Milner, "Kenpachiro Satsuma Interview III" http://www.davmil.org/www.kaijuconversations.com/satsum3.htm, Kaiju Conversations (December 1995)

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Japanese actor 1947

Dakota Goyo (1999) actor

Interview with “Real Steel” star Dakota Goyo https://lights-camera-jackson.com/interview-with-real-steel-star-dakota-goyo1/ (October 13, 2011)

“Katsumi Tezuka and I both tried on the Godzilla costume during the first day of shooting. The costume was very stiff and heavy. I could walk about thirty feet in it, but Mr. Tezuka could only walk about ten feet in it. There were three cables coming out of the back of the costume. Two were for the operation of the eyes, and one was for the operation of the mouth. Eizo Kaimai was responsible for the movement of the eyes and the mouth. The ASA speed of the film that was used at the time was very slow, so the set had to be very brightly lit. Another actor complained that the lights made it too hot inside the costume, but I never complained. Batteries were installed in the Godzilla costume that was made for the second Godzilla movie. They were for the operation of the eyes and the mouth. The batteries made the costume even heavier than the one that had been constructed for the first Godzilla film.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

“Film making is a miniature sized capitalism. Money and money people talk. Some people tend to think they can be more creative than the director they hire.”

Hideo Nakata (1961) Japanese film director

Hideo Nakata interview: on directing Chatroom, the Internet, and making films in the UK https://www.denofgeek.com/movies/hideo-nakata-interview-on-directing-chatroom-the-internet-and-making-films-in-the-uk/ (June 8, 2011)

“The task of making more exact a vague or not quite exact concept used in everyday life or in an earlier stage of scientific or logical development, or rather of replacing it by a newly constructed, more exact concept, belongs among the most important tasks of logical analysis and logical construction. We call this the task of explicating, or of giving an explication for the earlier concept; this earlier concept, or sometimes the term used for it, is called the explicandum; and the new concept, or its term, is called an explicatum of the old one.”

Rudolf Carnap (1891–1970) German philosopher

Source: Meaning And Necessity (1947), p. 7-8 as cited in: Erich Reck (2011) " Carnapian Explication: A Case Study and Critique http://www.faculty.ucr.edu/~reck/Reck-C'ian%20Explic.%20(3rd.%20rev.).pdf"

“The Godzilla costume constructed for GODZILLA 1985 was made to fit a much larger man, but he quit just before production was scheduled to begin. So, I took over the role. This, along with the fact that the costume weighed two hundred and forty-five pounds, limited what I could do in it. The Godzilla costume constructed for GODZILLA VS. BIOLLANTE, on the other hand, was made to fit me. In addition, it weighed only one hundred and eighty pounds. I felt that the GODZILLA 1985 costume controlled me, but I controlled the GODZILLA VS. BIOLLANTE one.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview I" http://www.davmil.org/www.kaijuconversations.com/satsum.htm, Kaiju Conversations (December 1993)

“If we could have ended the war by showing the power of science without killing a single person, all of us would now be happier, more reasonable and much more safe.”

Edward Teller (1908–2003) Hungarian-American nuclear physicist

As quoted in "Edward Teller Is Dead at 95; Fierce Architect of H-Bomb" http://www.nytimes.com/2003/09/10/obituaries/edward-teller-is-dead-at-95-fierce-architect-of-hbomb.html, New York Times (Sept. 10, 2003) by Walter Sullivan.

“I asked Mr. Honda to direct the next Godzilla film at a party that was held shortly before he died. He said that he would. I don't know how serious he was.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview I" http://www.davmil.org/www.kaijuconversations.com/satsum.htm, Kaiju Conversations (December 1993)

“I don't really have a positive or negative opinion about them [the Heisei Godzilla films]. The special effects technically are very sophisticated, but the films lack imagination. It seems as if all Toho is trying to do is show things being destroyed. I don't fault the members of the production department, though, because I know that that is what Toho's executives are demanding.”

Ishirō Honda (1911–1993) Japanese film director

As quoted by David Milner, "Ishiro Honda Interview" http://www.davmil.org/www.kaijuconversations.com/honda.htm, Kaiju Conversations (December 1992)

“We are at a juncture today that really is more of a threshold, even more of a watershed, than the Japanese attack on Pearl Harbor was in 1941. We are currently in a war, but it is not a war on terrorism. In fact, that has been a great confusion, and the sooner we drop that term, the better. This would be like President Franklin Roosevelt saying in World War II, 'We are engaged in a war against kamikazes and blitzkrieg.' Like them, terrorism is a method, a tool, a weapon that has been used against us. And part of the reason we suffered such a horrific attack is that we were not prepared.”

John Lehman (1942) American banker and government official

At the 130th Annual Meeting of the U.S. Naval Institute and Annapolis Naval History Symposium on 31 March 2004. http://www.usni.org/seminars/annualmeeting/04/annualmeeting04Lehman.htm, http://www.johnflehman.com/pdf/proceedings_MAR2004.pdf (PFD)

“I would say people will want to watch the younger lot rather than me. We need to give them more time. It will be a little harsh to put them aside. They are working in a much more competitive climate. They are working with many more disadvantages than perhaps we were. The audiences too, are not as tolerant as they were in my time. I think the audience gave me a lot of breathing space. I made mistakes and kept trying to rectify them in film after film. It takes a while to do away with the soiled laundry.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

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