“With a few exceptions, Fellini's films have failure and despair running through them: Life continues, but I can't imagine 'Felliniesque' as an exclusively uplifting adjective. Fellini's best films are the ones that distill this essence -- the paradoxical quality of melancholic ecstasy, a surreal, bittersweet vitality -- to perfection.”

— Damian Pettigrew

On the adjective ‘Felliniesque’, in The Los Angeles Times (April 2003)]

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "With a few exceptions, Fellini's films have failure and despair running through them: Life continues, but I can't imagi…" by Damian Pettigrew?

Damian Pettigrew 16

Canadian filmmaker

Related quotes

“Without once compromising his artistic integrity, Fellini imagined a body of work -- as opposed to a suite of spin-offs, remakes, potboilers and so on -- where each production can be ranked as among the finest of experimental films ever to reach and influence an international public. There is a breathtaking scope to that achievement and great courage in the process: surmounting unbelievable resistance from producers, enemies of all kinds and jealous colleagues, career reversals, and poor health, Fellini held true to his own vision of cinema forged in the smithy of his soul.”

Damian Pettigrew Canadian filmmaker

On Fellini's artistic integrity, in Indiewire (April, 2003)

“It isn’t that I object to it. I just feel it’s the wrong adjective as applied to the films I do. Because horror to me is, say, a film like The Godfather.”

Peter Cushing (1913–1994) English actor

Or anything to do with war, which is real and can happen, and unfortunately, no doubt, will happen again some time. But the films that dear Christopher Lee and I do are really fantasy. And I think fantasy is a better adjective to use. I don’t object to the term horror, it’s just the wrong adjective!
Peter Cushing Interview 1973 http://www.bbc.co.uk/programmes/p048plh0 (1973)

“It was Italian playwright and screenwriter Ennio Flaiano who first spoke to Fellini of Fernando Pessoa during their collaboration on I Vitelloni (1953). Fellini claimed, however, that it was not until he lunched with Anthony Burgess in the mid 1970s (when the British writer owned a country house in Bracciano north of Rome) that he began reading the Portuguese poet in earnest. This is not to suggest that Pessoa influenced Fellini in any direct way but simply to note a genial coincidence embedded within two autobiographical masterpieces. The first quotation is from Pessoa’s O Livro do desassossego: ‘These are my Confessions, and if in them I say nothing, it’s because I have nothing to say.’ The second is from Fellini’s Otto e mezzo (1963) during the crucial night scene at the base of the scaffolding when Guido confesses to Rosella, “I have really nothing to say in my film. But I want to say it anyway.” Suddenly, the disparate obsessions of these two great Mediterranean minds seem to fold into one another, if only for an instant, like the sounds of vibrating wires touched simultaneously. Whatever the ultimate significance may be, it amuses me to think that textual coincidences of this nature are proof of the brotherhood of artists.”

Damian Pettigrew Canadian filmmaker

On Fellini and Fernando Pessoa
Federico Fellini: Sou um Grande Mentiroso (2008)

“Paradoxically, we are in a golden age of books, documentaries, and films that... expose the abuses, crimes and authoritarian essence of corporate commercialism. ...[N]ever ...have they had less impact for change.”

Ralph Nader (1934) American consumer rights activist and corporate critic

Breaking Through Power (2016)

“One thing I can say is either to look at films very carefully, watch a lot of films, or don't see any films at all. Just imagine!”

Masahiro Shinoda (1931) Japanese film director and screenwriter

Source: The Movie Experience: Conversation with actress Shima Iwashita and director Masahiro Shinoda/Advice to Students http://globetrotter.berkeley.edu/conversations/Shinoda_Iwashita/shinoda_iwashita5.html (February 27, 1999)