“A studio is like a meditation room where music is created. And a live performance is the place where the creation of the studio is taken ahead. I love both.”

“I got so depressed that I went to an astrologer…. everybody I knew was breaking up. Everything was falling apart. There was such an abundance of bad news [on his retreat to Captiva where he started his studio and a print studio]”

“On the project The Celts I was asked to … to write a song. And, at the time I was … arranging with Nicky, and writing the music and performing … so, no desire whatsoever to write lyrics!… But Roma was actually writing poetry at the time, and she was involved, with listening in the studio … being the audience in the studio … so she was involved with the project. So, it was very obvious that she would write the lyrics.”

“So much of life ahead
We'll find a place where there's room to grow,
And yes, we've just begun.”

“The whole point of what I do-the Monster Ball, the music, the performance art aspect of it-I want to create a space for my fans where they can feel free and where they can celebrate because I didn't fit in in high school and I felt like a freak. So I like to create this atmosphere for my fans where they feel like they have a freak in me to hang with and they don't feel alone.”

“God, I'm in the same studio as de Burgh! He may have stood right where I'm standing now… and just thought his mad thoughts. Like "I am brilliant."”

“Music for me is life, I stay in my studio until ten or eleven at night and I record every day. Not for money or for albums - I just compose music.”

“Somebody that's not real. They go in the studio and all of the sudden become hard, when they used to do dance music.”

“Performing, for me, is like oxygen. Performing, for me, is like the only thing that is a constant in my life, because you're in all different places doing all different things, but when I get up on stage, that's where I know exactly what to do, that's where I own it.”

“Recently I have been working in the country, where, carving in the open air, I find sculpture more natural than in a London studio, but it needs bigger dimensions. A large piece of stone or wood placed almost anywhere at random in a field, orchard, or garden, immediately looks right and inspiring.”