“Pressure from below must therefore also confront the state in its role as organiser of space, as the power that controls urbanization, the construction of buildings and spatial planning in general. The state defends class interests while simultaneously setting itself above society as a whole, and its ability to intervene in space can and must be turned back against it, by grass-roots opposition, in the form of counter-plans and counter-projects designed to thwart strategies, plans and programmes imposed from above.”

— Henri Lefebvre

Henri Lefebvre (1974) The Production of Space. Translated to English in 1991 by Donald Nicholson-Smith; cited in: "Henri Lefebvre on Governance and Space" on thepolisblog.org 2012.10
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Henri Lefebvre17

French philosopher 1901–1991

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“Just as economic pressure from the base … is able to modify the production of surplus value, so pressure grounded in spatial practice is alone capable of modifying the apportionment of that surplus value — i. e. the distribution of the portion of social surplus production allotted to society's collective 'interests', to so-called social services. Such grass-roots pressure, if it is to be effective in this regard, cannot be confined to attacking the state qua guardian of the 'general interest'. For this state, born of the hegemony of a class, has as one of its functions — and a more and more significant function — the organization of space, the regularization of its flows, the control of its networks. It devotes to these purposes a considerable part of global surplus value, of the surplus production assigned to the running of society.”

Henri Lefebvre (1901–1991) French philosopher

Henri Lefebvre (1974) The Production of Space. Translated to English in 1991 by Donald Nicholson-Smith; As cited in: "Henri Lefebvre on Governance and Space" on thepolisblog.org 2012.10
Other quotes

“Each state claims the right to control interests foreign to itself when those interests are such that it can control them without putting its own interests in danger. … other powers only recognize this right of intervening in proportion as the country doing it has the power to do it.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Napoleon : In His Own Words (1916)

“We must conceive of opposition to decisions relating to urban planning as something more than "consumer-reaction" and, consequently, we must link it to the whole range of social contradictions and look into the conditions for the emergence and the determination of the objectives of social movements in the urban field."”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: Urban renewal and social conflict in Paris, 1972, p. 93-94

“After all, if there is no class stratification in a society, it follows that there is no state, because the state arose as an instrument to be used by a particular class to control the rest of society in its own interests.”

Walter Rodney book How Europe Underdeveloped Africa

Source: How Europe Underdeveloped Africa (1972), p. 76.

“A new kind of society cannot be designed on paper. That is, you cannot plan out a new form of society in advance, then set it up and expect it to function as it was designed to do.”

Theodore Kaczynski book Industrial Society and Its Future

"Some Principles of History", paragraph 104
Industrial Society and Its Future (1995)

“We analyzed the first stage of our construction, confined to two-dimensional space, and found it to be as durable and resistant as the earth itself. We build in this space just as we would on the ground, and therefore must take as our point of departure the concepts of gravity and force of attraction, as the foundation of everything built on the land. In PROUN the reciprocity of the effects of gravity [Newton, 'for every action an equal and opposite reaction'] manifests itself in a new capacity. We see that on the surface (plane) of the picture, the PROUN ceases to exist as such and becomes a building surveyed from every direction — considered from above or examined from below. The result of this turns out to be the destruction of the single axis that leads to the horizon.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1915 - 1925, Theses on the 'PROUN': from painting to architecture' (1920)

“To permit surveillance to take root on the Internet would mean subjecting virtually all forms of human interaction, planning, and even thought itself to comprehensive state examination.”

Glenn Greenwald book No Place to Hide

Picador 2015 edition, p. 6
No Place to Hide (2014)

“What has been said of Louisiana will apply generally to other States. And yet so great peculiarities pertain to each state, and such important and sudden changes occur in the same state; and withal, so new and unprecedented is the whole case, that no exclusive, and inflexible plan can be safely prescribed as to details and colatterals. Such exclusive, and inflexible plan, would surely become a new entanglement. Important principles may, and must, be inflexible.”

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Last public address (1865)

“[Urban planning] must be interpreted on the basis of the social effect produced by the political instance in the urban system and/or in the social structure.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: The Urban Question: A Marxist Approach, 1977, p. 276)

“Delacroix spoke of the Greek coin being built from the center out. Vermeer has painted in this way, according to the principles of mass... How beautifully they are drawn – Vermeer does not just make a leaf and place it in the design, he relates space and leaf. [in the painting of Vermeer: 'Allegory on the New Testament']. That drapery – it is abstract – observe how this shape [a space between a shepherd and the tree] curves around the center space while the tree counter-curves opposite it, cutting an egg shape.... the spaces on the carpet that carry no figuration are, in fact, shapes of vital importance in building the whole..”

Arshile Gorky (1904–1948) Armenian-American painter

Source: 1942 - 1948, Arshile Gorky, – Goats on the roof' (2009), p. 357: in: 'A visit to the Metropolitan Museum with Gorky', Ethel Schwabacher, 1947

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