
1930s
Source: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, 4/SILENCE
Quote of John Cage, in: 'The Future of Music: Credo' (1937); SILENCE; lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, CREDO/3
1930s
1930s
Source: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, 4/SILENCE
This is Your Brain on Music (2006)
Context: It is only in the last five hundred years that music has become a spectator activity—the thought of a musical concert in which a class of "experts" performed for an appreciative audience was virtually unkown throughout our history as a species. And it has only been in the last hundred years or so that the ties between musical sound and human movement have been minimized.
Preface
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)
In a letter to August Macke (14 January 1911); as quoted in August Macke; Franz Marc: Briefwechsel, Cologne 1965; as quoted in Boston Modern - Figurative Expressionism as Alternative Modernism, Judith Bookbinder, University Press of New England, Hanover and England, 2005, p. 35
Franz Marc visited a concert with music of the composer Arnold Schönberg on 11 Jan. 1911 with Wassily Kandinsky, Alexej von Jawlensky, Gabriele Münter and others; they played there compositions of Schönberg he wrote in 1907 and 1909: his second string quartet and the 'Three piano pieces'
1911 - 1914
Russolo. English trans. Barclay Brown (1986: 37).
undated quotes
“Sound is all our dreams of music. Noise is music's dreams of us.”
Sound Noise Varese Boulez, in Audio Culture: Readings in Modern Music http://books.google.pl/books?id=FgDgCOSHPysC&pg=PA16&lpg=PA15&focus=viewport, edited by Christoph Cox, Daniel Warner. A&C Black, 2004. p. 16 http://books.google.pl/books?id=FgDgCOSHPysC&pg=PA16&lpg=PA15&focus=viewport.
Electronic Musician magazine, December 1986
Interviews
Pierre Schaeffer: an Interview with the Pioneer of Musique Concrete (Records Quarterly magazine, vol. 2, n° 1; 1987)
Interviews
“The Vinyl Solution.” in Musician, Player, and Listener 24 (April-May 1980): 34.
Elsewhere
“Something new has been added, a new art of sound. Am I wrong in calling it music?”
The Liberation of Sound: An Introduction to Electronic Music (Prentice-Hall edition, 1972)