“Surrealism, is interested in a dream world that will penetrate the human psyche.”

Source: A New Model of the Universe (1932), p. 242

The Eight Human Talents (2001)

Source: Manifestoes of Surrealism

Source: Collected Poems (1966), p. 20

Source: The Stand

Civilization in Transition (1964)
Context: Even if the whole world were to fall to pieces, the unity of the psyche would never be shattered. And the wider and more numerous the fissures on the surface, the more the unity is strengthened in the depths.

"On the Dilemmas of the Christian Legacy"

"Introduction" to Diary of a Genius (1974) by Salvador Dalí
Context: The uneasy marriage of reason and nightmare which has dominated the 20th century has given birth to an increasingly surreal world. More and more, we see that the events of our own times make sense in terms of surrealism rather than any other view — whether the grim facts of the death-camps, Hiroshima and Viet Nam, or our far more ambiguous unease at organ transplant surgery and the extra-uterine foetus, the confusions of the media landscape with its emphasis on the glossy, lurid and bizarre, its hunger for the irrational and sensational. The art of Salvador Dalí, an extreme metaphor at a time when only the extreme will do, constitutes a body of prophecy about ourselves unequaled in accuracy since Freud's "Civilization And Its Discontents". Voyeurism, self-disgust, the infantile basis of our fears and longings, and our need to pursue our own psychopathologies as a game — these diseases of the psyche Dali has diagnosed with dismaying accuracy. His paintings not only anticipate the psychic crisis which produced our glaucous paradise, but document the uncertain pleasures of living within it. The great twin leitmotifs of the 20th century — sex and paranoia — preside over his life, as over ours.

"What Is This Thing Called Bronze?" http://query.nytimes.com/gst/fullpage.html?res=950DE0DA103AF935A25754C0A96F948260&sec=&spon=&pagewanted=2, interview with Robin Pogrebin, The New York Times (1989-07-16)