John Constable (1776–1837) English Romantic painter
Quote in his letter to John Dunthorne (14 February 1814), as quoted in Constable (Tate Gallery Publications, London, 1993), p. 151
1800s - 1810s
I have no news from Paris about my collectors.
Quote in a letter to his son Lucien, 26 April 1892, as quoted in Letters of the great artists – from Blake to Pollock - , Richard Friedenthal, Thames and Hudson, London, 1963, p. 144
1890's
John Constable (1776–1837) English Romantic painter
Quote in his letter to John Dunthorne (14 February 1814), as quoted in Constable (Tate Gallery Publications, London, 1993), p. 151
1800s - 1810s
P. L. Travers (1899–1996) Australian-British novelist, actress and journalist
The Paris Review interview (1982)
Vincent Van Gogh book The Letters of Vincent van Gogh
1880s, 1880, Letter to Theo (Cuesmes, July 1880)
Source: The Letters of Vincent van Gogh
Context: So please don't think that I am renouncing anything, I am reasonably faithful in my unfaithfulness and though I have changed, I am the same, and what preys on my mind is simply this one question: what am I good for, could I not be of service or use in some way, how can I become more knowledgeable and study some subject or other in depth? That is what keeps preying on my mind, you see, and then one feels imprisoned by poverty, barred from taking part in this or that project and all sorts of necessities are out of one's reach. As a result one cannot rid oneself of melancholy, one feels emptiness where there might have been friendship and sublime and genuine affection, and one feels dreadful disappointment gnawing at one's spiritual energy, fate seems to stand in the way of affection or one feels a wave of disgust welling up inside. And then one says “How long, my God!”
“This much will I say for myself — and on this point I do not blush for praising myself — that I have never philosophized save for the sake of philosophy, nor have I ever desired or hoped to secure from my studies and my laborious researches any profit or fruit save cultivation of mind and knowledge of the truth — things I esteem more and more with the passage of time. I have also been so avid for this knowledge and so enamored of it that I have set aside all private and public concerns to devote myself completely to contemplation; and from it no calumny of jealous persons, nor any invective from enemies of wisdom has ever been able to detach me.”
Dabo hoc mihi, et me ipsum hac ex parte laudare nihil erubescam, me numquam alia de causa philosophatum nisi ut philosopharer, nec ex studiis meis, ex meis lucubrationibus, mercedem ullam aut fructum vel sperasse alium vel quesiisse, quam animi cultum et a me semper plurimum desideratae veritatis cognitionem. Cuius ita cupidus semper et amantissimus fui ut, relicta omni privatarum et publicarum rerum cura, contemplandi ocio totum me tradiderim; a quo nullae invidorum obtrectationes, nulla hostium sapientiae maledicta, vel potuerunt ante hac, vel in posterum me deterrere poterunt.
Giovanni Pico della Mirandola book Oration on the Dignity of Man
25. 158-159; translation by A. Robert Caponigri
Oration on the Dignity of Man (1496)
Eugène Boudin (1824–1898) French painter
Quote from Boudin's letter to his friend Braquaval, 1 March 1895; as cited in 'The River Touques at Saint-Arnoult, 1895', by Anne-Marie Bergeret-Gourbin https://www.museothyssen.org/en/collection/artists/boudin-eugene/river-touques-saint-arnoult, Museo Thyssen <br class="br">1880s - 1890s
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Boisgeloup, winter 1934
Richard Friendenthal (1963, p. 256).
Quotes, 1930's, "Conversations avec Picasso," 1934–35
Montell Owens (1984) American football player, running back
"Hey, Arian Foster—Where's the Beef? Going Vegan in the NFL" https://www.si.com/edge/2014/04/24/going-vegan-nfl-0, interview with Sports Illustrated (April 24, 2014).
Sam Harris (1967) American author, philosopher and neuroscientist
Source: 2010s, Free Will (2012), p. 45
Louis L'Amour book The Walking Drum
Source: The Walking Drum (1984), Ch. 25