
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 7
Alternate translation: The voice is a flowing breath, made sensible to the organ of hearing by the movements it produces in the air. It is propagated in infinite numbers of circular zones, exactly as when a stone is thrown into a pool of standing water countless circular undulations are generated therein, which, increasing as they recede from the center, spread out over a great distance, unless the narrowness of the locality or some obstacle prevent their reaching their termination; for the first line or waves, when impeded by obstructions, throw by their backward swell the succeeding circular lines of waves into confusion. Quoted by Ernst Mach, The Science of Mechanics: A Critical and Historical Account of its Development (1893, 1960) Tr. Thomas J. McCormack
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 6
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 7
“Flow greatest like the greatest lakes / Capes on great estates, quiet water major waves”
From "Priority"
Album The Ecstatic
"Tristan da Cunha," lines 97-103
Adamastor (1930)
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI, Sec. 2
“The force that moves you is a circular breath
of life and death going round and round and round.”
"The Wheel"
Shooting Rubberbands at the Stars (1988)
Context: All your thoughts are in another head.
Your dreams are sleepin' in a different bed.
The force that moves you is a circular breath
of life and death going round and round and round.
Napoleon the Little (1852), Book V, V
Napoleon the Little (1852)
An Outline of Philosophy Ch.15 The Nature of our Knowledge of Physics (1927)
1920s