— Tristan Tzara Romanian and French avant-garde poet, essayist and performance artist 1896 - 1963
1920s, Lecture on Dada', 1922
„You will often hear that Dada is a state of mind. You may be gay, sad, afflicted, joyous, melancholy or Dada. Without being literary, you can be romantic, you can be dreamy, weary, eccentric, a businessman, skinny, transfigured, vain, amiable or Dada… Dada is here, there and a little everywhere, such as it is, with its faults, with its personal differences and distinctions which it accepts and views with indifference.“
1920s, Lecture on Dada', 1922
Adopté de Wikiquote. Dernière mise à jour 3 juin 2021. L'histoire
Tristan Tzara4
écrivain français 1896 - 1963Citations similaires
— Tristan Tzara Romanian and French avant-garde poet, essayist and performance artist 1896 - 1963
1920s, Lecture on Dada', 1922
— Hugo Ball German author, poet and one of the leading Dada artists 1886 - 1927
1916, Dada Manifesto (1916)
— John Cage American avant-garde composer 1912 - 1992
Quote in 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, x/SILENCE
1960s
— Tristan Tzara Romanian and French avant-garde poet, essayist and performance artist 1896 - 1963
1920s, Lecture on Dada', 1922
— Richard Huelsenbeck German poet 1892 - 1974
quote from his later memories on Dada; as quoted in Looking at Dada, eds. Sarah Ganz Blythe & Edward D. Powers - The Museum of Modern Art New York, ISBN: 087070-705-1; p. 4
Huelsenbeck left in 1917 neutral Swiss (Zurich) for war-torn German Berlin]
— Robert Motherwell American artist 1915 - 1991
The Dada Painters and Poets, Schultz, Wittenborn, New York 1951, p. xiii
1950s
— Hugo Ball German author, poet and one of the leading Dada artists 1886 - 1927
And so forth.
1916, Dada Manifesto (1916)
— Kurt Schwitters German artist 1887 - 1948
Quote in his letter to Hans Richter, c. 1916; as quoted in 'Hannover-Dada' by Hans Richter; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, commissioned by w:Rudi Fuchs, director of the Stedelijk Museum Amsterdam, NAI Publishers, Rotterdam 2000, p. 151
1910s
— Francis Picabia French painter and writer 1879 - 1953
In 'DADA manifesto 1920'; as quoted in Manifesto: A Century of Isms, ed. Mary Ann Caws, Lincoln: University of Nebraska Press, 2001, nr. 9.16 Francis Picabia, p 318
1920's
— Kurt Schwitters German artist 1887 - 1948
1920s
Source: 'Merz. Für den Ararat geschrieben' (1920); as quoted in Kurt Schwitters Merzbau: The Cathedral of Erotic Misery, by Elizabeth Burns Gamard, Princeton Architectural Press, New York, 2000, p. 40, note 16
— Hans Arp Alsatian, sculptor, painter, poet and abstract artist 1886 - 1966
Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 307
— Gerhard Richter German visual artist, born 1932 1932
Source: after 2000, Doubt and belief in painting' (2003), p. 41, note 30
— Tristan Tzara Romanian and French avant-garde poet, essayist and performance artist 1896 - 1963
1920s, Lecture on Dada', 1922
— Jeff Koons American artist 1955
Jeff Koons in: Graeme Green. " 60 SECONDS: Jeff Koons http://metro.co.uk/2007/07/18/60-seconds-jeff-koons-532798/#ixzz3bThr2XKI," at metro.co.uk, 2007/07/18
1990s and later
— Jasper Johns American artist 1930
Daily Close-up, after the Flag, Roberta Brandes Gratz, New York Post, 30 December 1970, p. 25
1970s
— Andy Warhol American artist 1928 - 1987
Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19
— Theo van Doesburg Dutch architect, painter, draughtsman and writer 1883 - 1931
Quote from Van Doesburg's article: 'Is a Universal Plastic Notion Possible Today?', as cited in 'Bouwkundig weekblad' [a Dutch architectural magazine], XLI 39, 1920, pp. 230–231
this quote of Theo van Doesburg is one of his earliest Dada expressions
1920 – 1926
— John Brunner, livre Tous à Zanzibar
the happening world (15) “Equal and Opposite”
Stand on Zanzibar (1968)