
Comments on the Cable television industry, in testimony to Congress (June 1974); quoted in "What Jack Valenti Did for Hollywood" by Richard Corliss in TIME magazine (27 April 2007) http://www.time.com/time/arts/article/0,8599,1615388,00.html
On his use of YouTube to watch videos. "Bill Gates on ...the Competition" in The Wall Street Journal (19 June 2006); also quoted in "Bill Gates' piracy confession" http://www.computerworld.com/blogs/node/2803 at ComputerWorld.com
2000s
Comments on the Cable television industry, in testimony to Congress (June 1974); quoted in "What Jack Valenti Did for Hollywood" by Richard Corliss in TIME magazine (27 April 2007) http://www.time.com/time/arts/article/0,8599,1615388,00.html
Interview in Harvard Political Review (2002)
Context: I wasn't opposed to the VCR. The MPAA tried to establish by law that the VCR was infringing on copyright. Then we would go to the Congress and get a copyright royalty fee put on all blank videocassettes and that would go back to the creators.
The Price of the Head, Instauration magazine (March 1980)
1970s, 1980s
Free Culture (2004)
Context: Common sense is with the copyright warriors because the debate so far has been framed at the extremes — as a grand either/or: either property or anarchy, either total control or artists won't be paid. If that really is the choice, then the warriors should win.
The mistake here is the error of the excluded middle. There are extremes in this debate, but the extremes are not all that there is. There are those who believe in maximal copyright — "All Rights Reserved" — and those who reject copyright — "No Rights Reserved." The "All Rights Reserved" sorts believe that you should ask permission before you "use" a copyrighted work in any way. The "No Rights Reserved" sorts believe you should be able to do with content as you wish, regardless of whether you have permission or not.... What's needed is a way to say something in the middle — neither "all rights reserved" nor "no rights reserved" but "some rights reserved" — and thus a way to respect copyrights but enable creators to free content as they see fit. In other words, we need a way to restore a set of freedoms that we could just take for granted before.
“To the degree that organized labor is strong, the power of owners is decreased.”
Property (1935)
Context: National unions embracing a considerable portion of the workers in a given industry are able to exert terrific power in the determination of the relative levels of wages, dividends and interest. To the degree that organized labor is strong, the power of owners is decreased.
"I Am Woman"; written and sung by Reddy
Lyrics, "I Don't Know How To Love Him"(1971)
Source: Water Street (2006), Chapters 1-10, p. 27-28