“When you review an exhibition of paintings you don't compose a painting about it, when you review a film you don't make a film about it and when you review a new CD you don't make a little CD about it. But when you review a prose-narrative then you write a prose-narrative about that prose-narrative and those who write the secondary prose-narrative, let's face it, must have once had dreams of writing the primary prose-narrative. And so there is a kind of hierarchy of envy and all those other things.”

— Martin Amis

Interview with Ramona Koval on Radio National (4 September 1999) http://www.abc.net.au/rn/arts/bwriting/stories/s21638.htm

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Martin Amis 136

Welsh novelist 1949

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“An Unread Book”, p. 50
The Third Book of Criticism (1969)

“Narrative prose is a legal wife, while drama is a posturing, boisterous, cheeky and wearisome mistress.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to A.N. Pleshcheev (January 15, 1889)
Letters

“The fact that you can write verse is in itself a certificate that you can write prose.”

Vachel Lindsay (1879–1931) American poet

What It Means to Be a Poet in America (1926)

“You may not believe it,
But I don't believe in miracles anymore.
And when I think about it,
I don't believe I ever did for sure.
All the things I've said in songs,
All the purple prose you bought from me.
Reality's just black and white.
The sentimental things I'd write
Never meant that much to me.”

Elton John (1947) English rock singer-songwriter, composer and pianist

This Train Don't Stop There Anymore
Song lyrics, Songs from the West Coast (2001)

“Why can't a writer use writing as a painter uses paint? I try to. When I wrote The Tree of Man I felt I couldn't write about simple, illiterate people in a perfectly literate way; but in my present novel the language is more sophisticated. I think perhaps I have clarified my style quite a lot over the years. I find it a great help to hear the language going on around me; not that what I write, the narrative, is idiomatic Australian, but the whole work has a balance and rhythm which is influenced by what is going on around you. When you first write the narrative it might be unconscious, but when you come to work it over you do it more consciously. It gives what I am writing a greater feeling of reality.”

Patrick White (1912–1990) English-born Australian writer

In The Making (1970)

“The skills I had learned for prose didn’t work in film. Those telling details, they’re completely different. Or the fact of these inner monologues in which you can write a whole book. Whereas prose is teasing out, film is stripping down, concentrating and compacting. I found I could not learn the one while doing the other. So it was a big struggle, actually. It took me years.”

Tsitsi Dangarembga (1959) Zimbabwean author and filmmaker

On adjusting to film writing in “An Interview with Tsitsi Dangarembga: An excerpt” https://brickmag.com/an-interview-with-tsitsi-dangarembga/ in Brick Magazine (December 2012)

“The hardest thing to do is to write straight honest prose on human beings. First you have to know the subject; then you have to know how to write.”

Ernest Hemingway (1899–1961) American author and journalist

A Letter from Cuba (1934)
Context: The hardest thing to do is to write straight honest prose on human beings. First you have to know the subject; then you have to know how to write. Both take a lifetime to learn, and anybody is cheating who takes politics as a way out. All the outs are too easy, and the thing itself is too hard to do.

“Exercises are like prose, whereas yoga is the poetry of movements. Once you understand the grammar of yoga; you can write your poetry of movements.”

Amit Ray (1960) Indian author

Yoga and Vipassana: An Integrated Lifestyle (2012) https://books.google.co.in/books?id=sBsG9V1oVdMC,

“Meredith is a prose Browning, and so is Browning. He used poetry as a medium for writing in prose.”

Oscar Wilde (1854–1900) Irish writer and poet

The Critic as Artist (1891), Part I

“There's two kinds of women--those you write poems about and those you don't.”

Jeffrey McDaniel (1967) American writer

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Martin Amis 136

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