
Quote in van Doesburg's his article: 'Space – time and colour', in 'De Stijl', Aubette Issue, series xv, 87-9, 1928, pp. 26–27
1926 – 1931
Quote in Van Doesburg's article: 'Aantekeningen bij Bijlage 12 (Notes), De Zaag en de goudvischkom van P.Alma', by Theo van Doesburg; in art-magazine 'De Stijl' 1 8, June 1918, p. 93
1912 – 1919
Quote in van Doesburg's his article: 'Space – time and colour', in 'De Stijl', Aubette Issue, series xv, 87-9, 1928, pp. 26–27
1926 – 1931
as quoted in the exhibition text of 'Marino Marini, Painter, Draughtsman, Sculptor', Museum de Fundatie, September 2013 to 16 March 2014
Source: Sociology and modern systems theory (1967), p. 47.
In 1956; p. 30
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"
Quote in: The Painting of Sounds, Noises and Smells Carlo Carrà, (1913); as cited & translated in: Mary Ann Caws (2001) Manifesto: A Century of Isms. p. 203
1910's
Unfolding Meaning: a weekend of dialogue with David Bohm (1985)<!-- p. 175 -->
Context: The weekend began with the expectation that there would be a series of lectures and informative discussions with emphasis on content. It gradually emerged that something more important was actually involved — the awakening of the process of dialogue itself as a free flow of meaning among all the participants. In the beginning, people were expressing fixed positions, which they were tending to defend, but later it became clear that to maintain the feeling of friendship in the group was much more important than to hold any position. Such friendship has an impersonal quality in the sense that its establishment does not depend on a close personal relationship between participants. A new kind of mind thus begins to come into being which is based on the development of a common meaning that is constantly transforming in the process of the dialogue. People are no longer primarily in opposition, nor can they be said to be interacting, rather they are participating in this pool of common meaning which is capable of constant development and change. In this development the group has no pre-established purpose, though at each moment a purpose that is free to change may reveal itself. The group thus begins to engage in a new dynamic relationship in which no speaker is excluded, and in which no particular content is excluded. Thus far we have only begun to explore the possibilities of dialogue in the sense indicated here, but going further along these lines would open up the possibility of transforming not only the relationship between people, but even more, the very nature of consciousness in which these relationships arise.
Arjo Klamer (1996). The Value of Culture: On the Relationship Between Economics and Arts, p. 24; cited in: Sławomir Magala (2005), Cross-cultural Competence.
In 1956; p. 30
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"
Introduction<!-- p. 1 -->
Space—Time—Matter (1952)
Context: Space and time are commonly regarded as the forms of existence of the real world, matter as its substance. A definite portion of matter occupies a definite part of space at a definite moment of time. It is in the composite idea of motion that these three fundamental conceptions enter into intimate relationship.