“Because of the limited keyboard. This is a very strange thing. When I play the piano, I get clear down to the left edge of the piano. Now, unlike Art Tatum, I don't take runs that go up, that always end up on the extreme high "C". But I really do like the low end. Even as an organist, it has bothered me that the keyboards are five octaves and stop at "C". I've always wished that my pedal board went down to "F". My harmonic thinking gets involved clear down to that "F" and to be cut off at the "C". I can't explain it. It's as if somebody were standing right next to you while you were playing and you just kept having the feeling like: "I can't go there; I can't go there."”

—  Clare Fischer

It does something to me. Whereby [sic] having the full keyboard just opens up a world of things to me. <br class="br">On his preference for Yamaha&#x27;s 88-key PF-15 piano over the then prevalent DX7; radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&amp;pg=PT457&amp;dq=%22because+of+the+limited+keyboard%22&amp;hl=en&amp;sa=X&amp;ved=0ahUKEwjOhaCoxMXRAhXB5iYKHcvbBykQ6AEIGjAA#v=onepage&amp;q&amp;f=false (1992, 2006, 2014)

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Clare Fischer48
American keyboardist, composer, arranger, and bandleader 1928–2012

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