
Quoted in: Paul Jones (2011), The Sociology of Architecture: Constructing Identities. p. 47.
Other explanation by Picasso of the Guernica.
Quotes, 1930's
Source: Nervous Stillness on the Horizon (2006), P. 106 (1960)
Quoted in: Paul Jones (2011), The Sociology of Architecture: Constructing Identities. p. 47.
Other explanation by Picasso of the Guernica.
Quotes, 1930's
Said to avant-garde artists Ely Bielutin and Ernst Neizvestny during a visit to their exhibition (1 December 1962)
Richter's aunt had been murdered by the Nazis in the name of euthanasia, a crime for which his father-in-law from his first marriage, a Nazi doctor named Heinrich Eufinger, had been partially responsible. Richter painted a portrait of his aunt in 1965, based on an old photo. It was called 'Tante Marianne' / 9Aunt Marianne).
after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)
“I dream my painting, and then I paint my dream.”
As quoted in Marry Your Muse: Making a Lasting Commitment to Your Creativity (1997) by Jan Phillips, p. 176
Undated
In a letter to William Milliken (1930), quoted in Portrait of an Artist: A Biography of Georgia O'Keeffe, Laurie Lisle (1981), p. 128
1930s
“Painting is so stupid, so simple. I paint to get out of the through. I paint my misery.”
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
Quotes, 1960 - 1970
Source: LIFE http://books.google.com/books?id=XUoEAAAAMBAJ&pg=PA49, Vol. 64, nr. 3, 19 January 1968, p. 49
Quote, 1914, from: Foreword
1970s, Some Memories of Drawings (1976)