The Dietetics of the Soul; Or, True Mental Discipline (1838)
Source: Quantum Reality - Beyond The New Physics, Chapter 1, The Quest For Reality, p. 2
“The poem refreshes life so that we share,
For a moment, the first idea”
Notes Toward a Supreme Fiction (1942), It Must Be Abstract
Context: p>The poem refreshes life so that we share,
For a moment, the first idea... It satisfies
Belief in an immaculate beginningAnd sends us, winged by an unconscious will,
To an immaculate end.</p
"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time
What Are Masterpieces and Why Are There So Few of Them (1936)
"Recent Poetry," The Yale Review (Autumn 1955) [p. 237]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)
“Music does not replace words, it gives tone to the words”
Source: The Life of Poetry (1949), p. 181
Context: The creation of a poem, or mathematical creation, involves so much sense of arrival, so much selection, so much of the desire that makes choice — even though one or more of these may operate in the unconscious or partly conscious work-periods before the actual work is achieved — that the questions raised are very pertinent.... The poet chooses and selects and has that sense of arrival as the poem ends; he is expressing what it feels like to arrive at his meanings. If he has expressed that well, his reader will arrive at his meanings. The degree of appropriateness of expression depends on the preparing. By preparing I mean allowing the reader to feel the interdependences, the relations, within the poem.
These inter-dependences may be proved, if you will allow the term, in one or more ways: the music by which the syllables resolve may lead to a new theme, as in a verbal music, or to a climax, a key-relationship which makes — for the moment — an equilibrium; the images may have established their own progression in such a way that they serve to mark the poem’s development; the tensions and attractions between the poem’s meanings may mark its growth, as they must if the poem is to achieve its form.
A poem is an imaginary work, living in time, indicated in language. It is and it expresses; it allows us to express.
The Mathematicall Praeface to Elements of Geometrie of Euclid of Megara (1570)
Context: There is (gentle reader) nothing (the works of God only set apart) which so much beautifies and adorns the soul and mind of man as does knowledge of the good arts and sciences. Many arts there are which beautify the mind of man; but of all none do more garnish and beautify it than those arts which are called mathematical, unto the knowledge of which no man can attain, without perfect knowledge and instruction of the principles, grounds, and Elements of Geometry.
