
Itconversations.com http://itc.conversationsnetwork.org/shows/detail3298.html
Source: Enigmas Of Chance (1985), Chapter 5, Cornell, p. 112
Itconversations.com http://itc.conversationsnetwork.org/shows/detail3298.html
MTV.com Jack Talks About His Addiction and Recovery
Quoted in: Arts/Canada, Vol. 23 (1966), p. 46
Emperor Has No Clothes Award acceptance speech (2003)
Context: Schizophrenics have a whole lot of trouble telling the level of abstraction of a story. They're always biased in the direction of interpreting things more concretely than is actually the case. You would take a schizopohrenic and say, "Okay, what do apples, bananas and oranges have in common?" and they would say, "They all are multi-syllabic words."
You say "Well, that's true. Do they have anything else in common?" and they say, "Yes, they actually all contain letters that form closed loops."
This is not seeing the trees instead of the forest, this is seeing the bark on the trees, this very concreteness.
“I try to make concrete that which is abstract.”
Response to questionnaire circulated to the Cubists by Amédée Ozenfant and Le Corbusier, editors of L'Esprit Nouveau # 5 (February 1921)
Fumito Ueda: Colossus in the Shadow https://medium.com/@SimonParkin/fumito-ueda-colossus-in-the-shadow-80e200a727dd (December 13, 2016)
… What excellent advice it is, and how it was beaten into my generation of schoolboys... But one may tire of even the best advice, as one may tire of writing according to these precepts. Would we wish to be without the heraldic splendour and torchlight processions that are the sentences of Sir Thomas Browne? Would we wish to sacrifice the orotund, Latinate pronouncements of Samuel Johnson? Would we wish that Dickens had written in the style recommended by the brothers Fowler, who framed the rules I have quoted; what would then have happened to Seth Pecksniff, Wilkins Micawber, and Sairey Gamp, I ask you?
Writing (1990), he here quotes from The King's English (1906) by Henry Watson Fowler & Francis George Fowler
Spirit has arrived at the age of maturity...
Quote in 'Comments on the basic of concrete painting', Paris, January 1930, in 'Art Concret', April 1930, pp. 2–4
1926 – 1931