Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'
version in original Dutch (citaat van Johannes Warnardus Bilders, in Nederlands): Ik pakte mijn rommeltje en ging op een goeden dag naar [c. 1834-36]. Daar zag ik ergens een man uit het venster liggen. Boer! zijn hier in de buurt ook kamers te huur? - Jawel meneer, hier zelfs. - Ik ging naar binnen, zag een mooie, geschikte schilderkamer; dat was mij genoeg, ik vraag naar niets meer. Honderdvijftig gulden was de huur [per jaar]. Ik bood honderdzestig als hij dan ook den tuin bewerkte en vooral veel roode kool plantte, want die zie ik graag.
p. 78
1880's, Johannes Warnardus Bilders' (1887/1900)
Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'
“When I was kidnapped, my parents snapped into action. They rented out my room.”
Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician
Standup Comic (1999)
Hendrik Willem Mesdag (1831–1915) painter from the Northern Netherlands
translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Hendrik Willem Mesdag's brief, in het Nederlands:) ..ik heb een kamer gehuurd in Scheveningen om er studies naar de natuur te maken. Het is een kamer met uitzicht op zee; ik hoop er mooie dingen te maken, en steeds vooruit te gaan.
In a letter to his Belgium friend A. Verwee, 28 Mai 1871; as cited in Hendrik Willem Mesdag 1831 – 1915; De Schilder van de Noordzee, Johan Poort; Mesdag Documentaire Stichting cop, ISBN 90-74192-14-9; 2001, p. 17
before 1880
Nasreddin (1208–1284) philosopher, Sufi and wise man from Turkey, remembered for his funny stories and anecdotes
Diane L. Wilcox, Classic Tales of Mulla Nasreddin, Retold by Houman Farzad (1989), , p. 26
Johannes Warnardus Bilders (1811–1890) painter from the Northern Netherlands
version in original Dutch (citaat van Johannes Warnardus Bilders, in Nederlands): Moet dat nu mooi heeten? - neen, de menschen zijn gek, of ik! - Wat leerde ik nu te Oosterbeek die Natuur gansch anders aankijken! In 't begin kon ik niets goeds maken; ik zag al gauw, dat ik weer van voren af aan moest beginnen.
p. 78
1880's, Johannes Warnardus Bilders' (1887/1900)
Tod A (1965) American musician
(on why he left America to travel the world) ALARM Magazine (July 7, 2008).
Gerhard Richter (1932) German visual artist, born 1932
Richter's quote refers to his 'Annunciation after Titian', he made in 1973
Source: after 2000, Doubt and belief in painting' (2003), p. 104, note 52
American Acheivement interview (1996)
Source: The Joy Luck Club
Context: Reading for me was a refuge. I could escape from everything that was miserable in my life and I could be anyone I wanted to be in a story, through a character. It was almost sinful how much I liked it. That's how I felt about it. If my parents knew how much I loved it, I thought they would take it away from me. I think I was also blessed with a very wild imagination because I can remember, when I was at an age before I could read, that I could imagine things that weren't real and whatever my imagination saw is what I actually saw. Some people would say that was psychosis but I prefer to say it was the beginning of a writer's imagination. If I believed that insects had eyes and mouths and noses and could talk, that's what they did. If I thought I could see devils dancing out of the ground, that's what I saw. If I thought lightning had eyes and would follow me and strike me down, that's what would happen. And I think I needed an outlet for all that imagination, so I found it in books.
Narcisse Virgilio Díaz (1807–1876) French painter
Quote of Diaz, late 1860's, recorded by Albert Wolff, in Notes upon certain masters of the XIX century, - printed not published MDCCCLXXXVI (1886), The Art Age Press, 400 N.Y. (written after the exhibition 'Cent Chefs-d'Oeuvres: the Choiche of the French Private Galleries', Petit, Paris / Baschet, New York, 1883, p. 45-46
Albert Wolff, the interviewer, owned this little panel, painted by a young Diaz. It was fifteen centimeters big, and presented a baby lying in a cradle with the mother, guarding it. Wolff returned it to the old Diaz
Quotes of Diaz