“Sometimes, a whole bright day passes in explosions of the sun, in accumulations of clouds encircled by redness at their edges, luminously and chromatically, breaking off at every edge. People go about stupefied by the light, their eyes closed, exploding inwardly with rockets, Roman candles and powder-kegs. But later, toward evening, that hurricane fire of light softens. The horizon grows rotund, beautiful, and full of azure, like a glass ball in a garden with its miniature and illuminated panorama of the world, in a happily ordered composition, above which the clouds are arranged, its conclusive toppings, unfolding in a long row like rouleaux of golden medals, or peals of bells combining in rosy litanies.”

—  Bruno Schulz

“Spring” http://www.schulzian.net/translation/sanatorium/spring01.htm
His father, The heavens

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Sometimes, a whole bright day passes in explosions of the sun, in accumulations of clouds encircled by redness at their…" by Bruno Schulz?
Bruno Schulz photo
Bruno Schulz 34
Polish novelist and painter 1892–1942

Related quotes

Alice Meynell photo

“The cloud controls the light.[...]It is the cloud that, holding the sun's rays in a sheaf as a giant holds a handful of spears, strikes the horizon, touches the extreme edge with a delicate revelation of light, or suddenly puts it out and makes the foreground shine.”

Alice Meynell (1847–1922) English publisher, editor, writer, poet, activist

"Cloud", pp. 16–17
The Colour of Life and Other Essays (1896)

Leonardo Da Vinci photo

“A single and distinct luminous body causes stronger relief in the object than a diffused light; as may be seen by comparing one side of a landscape illuminated by the sun, and one overshadowed by clouds, and so illuminated only by the diffused light of the atmosphere.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

Jodi Picoult photo

“My mother… she is beautiful, softened at the edges and tempered with a spine of steel. I want to grow old and be like her.”

Jodi Picoult (1966) Author
Willa Cather photo

“There were no clouds, the sun was going down in a limpid, gold-washed sky. Just as the lower edge of the red disk rested on the high fields against the horizon, a great black figure suddenly appeared on the face of the sun. We sprang to our feet, straining our eyes toward it. In a moment we realized what it was. On some upland farm, a plough had been left standing in the field. The sun was sinking just behind it. Magnified across the distance by the horizontal light, it stood out against the sun, was exactly contained within the circle of the disk; the handles, the tongue, the share — black against the molten red. There it was, heroic in size, a picture writing on the sun.”

Willa Cather book My Ántonia

Book II, Ch. 14
My Antonia (1918)

Friedrich Nietzsche photo

“You say, it's dark. And in truth, I did place a cloud before your sun. But do you not see how the edges of the cloud are already glowing and turning light.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
Margaret Atwood photo

“What breaks in daybreak? Is it the night? Is it the sun, cracked in two by the horizon like an egg, spilling out light?”

Margaret Atwood (1939) Canadian writer
Isaac Newton photo

“Are not the Rays of Light in passing by the edges and sides of Bodies, bent several times backwards and forwards, with a motion like that of an Eel?”

Isaac Newton book Opticks, or a Treatise of the Reflections, Refractions, Inflections and Colours of Light

Query 3
Opticks (1704)
Context: Are not the Rays of Light in passing by the edges and sides of Bodies, bent several times backwards and forwards, with a motion like that of an Eel? And do not the three Fringes of colour'd Light... arise from three such bendings?

“Gazing into the golden rage of the sun shreds vision into scraps of light and darkness. A white sun is congealed from patches of light, floating ephemerally at the edge of blindness. This is the illuminating sun, giving what we can keep, the sun whose outpourings are acquired by the body as nutrition, and by the eye as (assimilable) sensation. (…) Mixed with this nourishing radiance, as its very heart, is the other sun, the deeper one, dark and contagious, provoking a howl from Bataille: ‘the sun is black’. From this second sun—the sun of malediction—we receive not illumination but disease, for whatever it squanders on us we are fated to squander in turn.”

Nick Land (1962) British philosopher

Source: The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (1992), Chapter 2: "The curse of the sun", p. 20

“The Night has a thousand eyes,
And the Day but one;
Yet the light of the bright world dies
With the dying sun.”

Francis William Bourdillon (1852–1921) British poet

"Light" (popularly known as "The Night has a Thousand Eyes"), published in The Spectator (October 1873).
Context: p>The Night has a thousand eyes,
And the Day but one;
Yet the light of the bright world dies
With the dying sun.The mind has a thousand eyes,
And the heart but one;
Yet the light of a whole life dies
When love is done.</p

Related topics