“I wanted to get away from the physical act of painting... For me the title ('Fresh Widow', 1920), with inscription under: 'Fresh Widow Copyright Rose Sélavy, 1920', [probably referring to all the widows because of the many killings of soldiers in World War, 1. which ended in 1918] was very important... I was interested in ideas – not merely visual products. I wanted to put painting once again at the service of the mind.”

— Marcel Duchamp

Quote from: Looking at Dada ed. Sarah Blyth / Edward Powers, MoMa, New york 2006; p. 13
posthumous

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Marcel Duchamp 66

French painter and sculptor 1887–1968

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“I was interested in ideas - not merely in visual products. I wanted to put painting once again at the service of the mind.”

Marcel Duchamp (1887–1968) French painter and sculptor

In 'Artist's Voice', Kuh; p. 89; as quoted in Writings of Marcel Duchamp, Sanouillet and Peterson, p. 125
posthumous

“I am a pop widow.”

Louise Rennison book Knocked Out by My Nunga-Nungas

Knocked Out by My Nunga-Nungas

“Kitsy found herself at the hairdresser's beside General Hays, a widow. "I wish you would get married again," Kitsy said. "Why?" General Hays asked. "Because," Kitsy responded, "I want some man to learn what it's like to be married to a general."”

William Westmoreland book A Soldier Reports

Source: A Soldier Reports (1976), p. 264.
Context: Not long after I became U. S. Army Chief of Staff, the Secretary of the Army accepted my recommendation that the heads of the Army Nurse Corps and the Women's Army Corps be established as general officers. Soon after I had the honor of pinning stars on the first two female generals in the nation's history, Anna Mae Hays and Elizabeth P. Hosington (and establishing a tradition by giving each a kiss on the cheek), Kitsy found herself at the hairdresser's beside General Hays, a widow. "I wish you would get married again," Kitsy said. "Why?" General Hays asked. "Because," Kitsy responded, "I want some man to learn what it's like to be married to a general."

“This will make widows wince. But fictive things
Wink as they will. Wink most when widows wince.”

Wallace Stevens (1879–1955) American poet

"A High-Toned Old Christian Woman" (1922)

“These widows, sir, are the most perverse creatures in the world.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 335 (25 March 1712).
The Spectator (1711–1714)

“Like many widows, she came to the unwise decision of remarrying.”

Honoré de Balzac book Pierrette

Comme beaucoup de veuves, elle eut l'idée malsaine de se remarier.
Source: Pierrette (1840), Ch. I: The Lorrains.

“I am a Widow's Son, outlawed and my orders must be obeyed”

Ned Kelly (1855–1880) Australian bushranger

Jerilderie Letter (1879)
Context: Neglect this and abide by the consequences, which shall be worse than the rust in the wheat of Victoria or the druth of a dry season to the grasshoppers in New South Wales I do not wish to give the order full force without giving timely warning, but I am a Widow's Son, outlawed and my orders must be obeyed.

“The Cobra group started new, and first of all we threw away all these things we had known and started afresh, like a child — fresh and new. Sometimes my works look very childish, or childlike, schizophrenic or stupid, you know. But that was the good thing for me. Because, for me, the material is the paint itself. The paint expresses itself. In the mass of paint, I find my imagination and go on to paint it.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Quoted in: 'Karel Appel, Dutch Expressionist Painter, Dies at 85', by Margalit Fox, in 'Art & Design', New York Times May 9, 2006
Quote of an oral history in 'Contemporary Artists' - Karel Appel describes the wild artistic urgency that gave rise to the Cobra artist-group

“I've heard all the usual Sweetness and Light that kids get pushed at them—how they should always forgive, how there’s some good in the worst of us, etc. But when I see a black widow, I step on it; I don’t plead with it to be a good little spider and please stop poisoning people. A black widow spider can’t help it—but that’s the point.”

Robert A. Heinlein book Have Space Suit—Will Travel

Source: Have Space Suit—Will Travel (1958), Chapter 10

“I think the ideas [as starting point for his paintings] are based upon very obvious physical facts – notions that are also simple-minded, such as, in the 'White Paintings', wanting to know if that was a thing to do or not, or in 'Factum', wondering about what the role of accident is. Those aren't really very involved ideas.”

Robert Rauschenberg (1925–2008) American artist

1960's, I never thought of it as much of an ability,' (1968)

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Marcel Duchamp 66

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