“There is a familiar trio of reactions by scientists to a purportedly radical hypothesis: (a) "You must be out of your mind!", (b) "What else is new? Everybody knows that!", and, later — if the hypothesis is still standing — (c) "Hmm. You *might* be on to something!" Sometimes these phases take years to unfold, one after another, but I have seen all three emerge in near synchrony in the course of a half-hour's heated discussion following a conference paper.”

Interviews: Ben Stein is Expelled! Christianity Today Movies, Christianity Today Movies: Interview with Ben Stein, 15 April 2008, 2008-04-18 http://www.christianitytoday.com/movies/interviews/benstein.html,

Source: Mind and Nature, a necessary unity, 1988, p. 27

Interview with Howard Stern

page 313
Truth and Tension in Science and Religion

Source: The Emergence Of Probability, 1975, Chapter 4, Evidence, p. 36.

Emotional Architecture as Compared to Intellectual (1894)
Context: The human mind in all countries having gone to the uttermost limit of its own capacity, flushed with its conquests, haughty after its self-assertion upon emerging from the prior dark age, is now nearing a new phase, a phase inherent in the nature and destiny of things.
The human mind, like the silk-worm oppressed with the fullness of its own accumulation, has spun about itself gradually and slowly a cocoon that at last has shut out the light of the world from which it drew the substance of its thread. But this darkness has produced the chrysalis, and we within the darkness feel the beginning of our throes. The inevitable change, after centuries upon centuries of preparation, is about to begin.

"The State of the Theatre" an interview by Henry Brandon in Harpers 221 (November 1960)
Context: I cannot write anything that I understand too well. If I know what something means to me, if I have already come to the end of it as an experience, I can't write it because it seems a twice-told tale. I have to astonish myself, and that of course is a very costly way of going about things, because you can go up a dead end and discover that it's beyond your capacity to discover some organism underneath your feeling, and you're left simply with a formless feeling which is not itself art. It's inexpressible and one must leave it until it is hardened and becomes something that has form and has some possibility of being communicated. It might take a year or two or three or four to emerge.

The Last Lecture (2007)