“Abstract reason, formerly the servant of practical human reasons, has everywhere become its master, and denies poetry any excuse for existence.
Though philosophers like to define poetry as irrational fancy, for us it is practical, humorous, reasonable way of being ourselves. Of never acquiescing in a fraud; of never accepting the secondary-rate in poetry, painting, music, love, friends. Of safeguarding our poetic institutions against the encroachments of mechanized, insensate, inhumane, abstract rationality.”
"The Case for Xanthippe" in The Crane Bag (1969).
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Robert Graves117
English poet and novelist 1895–1985Related quotes
Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist
Reading (1990)
“Poetry heals the wounds inflicted by reason.”
Novalis (1772–1801) German poet and writer
As quoted in Quote, Unquote (1989) by Jonathan Williams, p. 136
William Blake (1757–1827) English Romantic poet and artist
To the Public, plate 3 (the last paragraph)
1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820)
Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature
"Signs in Rotation" (1967) in The Bow and the Lyre : The Poem, The Poetic Revelation, Poetry and History (1973) as translated by Ruth L.C. Simms, p. 249
Dana Gioia (1950) American writer
9-10
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)
“The reason we go to poetry is not for wisdom, but for the dismantling of wisdom”
Jacques Lacan (1901–1981) French psychoanalyst and psychiatrist
Muriel Rukeyser (1913–1980) poet and political activist
Source: The Life of Poetry (1949), p. 109
Context: There are ways in which poetry reaches the people who, for one reason or another, are walled off from it. Arriving in diluted forms, serving to point up an episode, to give to a climax an intensity that will carry it without adding heaviness, to travel toward the meaning of a work of graphic art, nevertheless poetry does arrive. And in the socially accepted forms, we may see the response and the fear, expressed without reserve, since they are expressed during enjoyment which has all the sanctions of society.
Close to song, poetry reaches us in the music we admit: the radio songs that flood our homes, the juke-boxes, places where we drink and eat, the songs of work for certain occupations, the stage-songs we hear as ticketed audience.